|
Dry stream with flat pebbles indicating flow. Shinnyo-in, Kyoto. |
Water has always played a significant role in
the iconography and layout of Japanese gardens. Be it as still bodies of water
representing ponds, lakes or oceans, or as stream courses that have the
inherent aspects of flow and movement. Streams and flowing water have multiple
associations in the context of Japanese culture, such as cleansing, freshness,
connectivity, vitality and renewal. In the heat and humidity of the summer
months, flowing water created an atmosphere of refreshment and coolness that
would create an atmosphere that was calming and soothing. Along with the flow
and movement of a stream come the sounds and songs of water tripping over
stones set artfully along the stream bed. Since time immemorial water has been
considered a cleansing agent in Japan, as well as being recognized as a bringer
of life. Suijin 水神 or
‘water gods’ are plentiful in Shinto iconography, and may be found and
worshipped at rivers, lakes, and spring sources.
|
Broad shallow stream. Murin-an, Kyoto. |
In the Heian period (785-1184)
courtyard garden, the yarimizu (遣水), or winding stream was considered an important element of the design.
The streams were created with shallow flows, where water rippled over gravel
beds and there would be places along the bank where people could sit and watch
the movement. Streams were created with convoluted courses that wound across
the courtyards, sometimes the streams would run under buildings or raised
wooden walkways connecting buildings, which give another perspective on viewing
them. The presence of the stream running under a building would carry with it
an malevolent energies, and so the stream acts as a cleansing agent.
In the Sakuteiki (‘Records of Garden Making’,
compiled mid to late 11th century), instructions based on
geomantic considerations are given as to the most propitious directions for the
stream to run through a property; namely rising in the east, running under one
corner of the main building and heading off in a south-westerly
direction. This was to ensure the proper cleansing of the domestic
spaces, removing any malevolent influences from the site. According to geomantic
tradition the stream represents the flow of ‘Dragon energy’, ie the vital force, ch’i . The inner bank of the curving
stream representing the belly of the Dragon, and the outer curve representing
the back of the Dragon. The placement of a house or pavillion on the ‘inner
bank’ assured its protection. Another geomantic theory considers the flow of
the stream from north to south as representing the union of yin and yang
elements, thus creating cosmic harmony.
|
'Winding stream', Jonagu Jinja, Kyoto. |
According to the Sakuteiki, mountains are masters
of water, that is they dictate the direction and pace of the flow. Accordingly large
stones can be set at bends in the streams, and stones are also set in the bed
to create divergent flows in the stream (mizukiri
ishi, 水切石, ‘water
splitting or water cutting stones’). ‘Crosswise stones’ (mizukoshi ishi, 水越石) are flat pieces of stone set across the stream
bed, where water will either run around either end of the stone or flow evenly
over the top in a thin sheet. Stones can also be set into the bed of the stream,
which given sufficient flow rates will cause the water to surge over the top
and so doing create sound and dynamic movement.
|
Meandering stream and waterfall into pond. Taizo-in, Kyoto. |
The streams are often created as shallow flowing
water courses, the banks lined with stones and groups of plantings, the bed of
the stream may be also studded by rocks set to break-up the flow of
water. In the older gardens of the Kyoto area, the water sources were
natural springs, and streams and water would have of been drawn into the
gardens by diverting these flows. Water would also be piped and channeled into
gardens to feed the watercourses, and also refresh the ponds. In modern times
where this practice is no longer possible or desirable, then the use of pumps
and filters is employed to create moving water in the garden.
|
A 'dry' river flowing beneath a bridge. Daisen-in, Kyoto |
No comments:
Post a Comment