On the 23rd of February 2018 I was very kindly conferred with the Order of the Rising Sun with Golden Rays and Rosette by the Japanese ambassador Mr Koji Tsuruoka. The award was in recognition of the contribution made to the promotion of the Japanese garden culture in the UK.
The following is the text of the speech I gave at the presentation:
I think it is fair to say that this occasion is an
extra-ordinary day in my life. But then, in so many ways the whole journey that
began with my first visit to Japan in 1980 has been far from ordinary. I well
remember when I was at horticultural college in the early 1970’s coming across
a book in the library that had a number of pictures of gardens from Japan.
Although at the time, in my early twenties, I already had an interest in the
Far East through Buddhism and poetry, I knew nothing at all about the ancient
garden culture of Japan. The grainy black and white pictures piqued my
interest. There was something about their apparent simplicity that challenged
my notion of what a garden was, and what a garden could be. A little while later
I visited the Japanese garden at Tatton Park in Cheshire and what stayed with
me was the sense of repose and quietude of that garden.
 |
| Ryoan-ji, Kyoto |
It was only much later that the opportunity to go to Japan
arose. I imagined that I would stay a while and use the time to visit some
gardens, then resume my career as a gardener, who secretly desired to be a
poet, in England. I think the first garden I saw in Japan was at Ryoan-ji
temple. Outside of Japan, it is possibly the most familiar of the great Kyoto
gardens. What was so bewitching was the atmosphere of the space, even more
beguiling than the sparse components of the garden itself. It seemed to possess
a certain kind of magic made manifest. For many years now I have been fortunate
to return to Kyoto and Japan. I have revisited Ryoan-ji on many occasions, and
still it holds a palpable sense of the magical and the transcendental. Its
absolute modesty is also somehow its soaring ambition.
 |
| Private garden, Surrey, UK. |
For me the Japanese garden is a confluence of art and
spirituality. It is not a passive creation, but one deeply imbued with a
vitality of life and time. It has the capacity to speak to us in a profound
way; also to communicate much of what it is to be human, and so to understand
better our place in this world.
 |
Private garden, Gloucestershire UK.
|
Kobayashi san, my teacher was pivotal to being able to engage in a deeper practical education of Japanese gardens. I still think of myself as being an ‘accidental apprentice’. The first months of my apprenticeship were not by any measure the easiest of my life. I knew hardly any Japanese and also my introduction to garden making in Japan was working on the very Western rose garden at the Kyoto Botanical Garden. Frustrated, rather than magical would be how I would describe those initial months as an apprentice. But what I came to understand was that the relationship between teacher and student is entirely different to what I had been accustomed to. In Japan the apprentice is required to prove to the teacher that you are worthy of being taught, and secondly that essentially the student ‘steals’ the knowledge from the master. I owe Kobayashi Sensei a huge debt of gratitude for his persistence and forbearance, for whom I am sure I was a very wayward student, albeit a wholly determined one. Sensei taught me that you learn through your hands, and when you do it enters the heart, so then the knowledge gained is never lost but it becomes part of the fabric of one’s being.
I have also great gratitude to other figures such as
Professor Makoto Nakamura who invited me to become a research student at Kyoto
University, which enabled me to have access to the landscape department and its
library, as well as his own great fund of knowledge. Also more recently to
people like the contemporary garden creator Yasuo Kitayama san with whom I
spent many hours being entranced by detailed explanations of his own philosophy
concerning garden making.
 |
| logo of the Japanese Garden Society |
The formation of the Japanese Garden Society (http://www.jgs.org.uk) in 1993 was an
important milestone. I have been fortunate to have had an association with the JGS
from the beginning, and seen its development over the past 25 years. Central to
the founding aims of the JGS has been to disseminate knowledge of Japanese
gardens in the UK. To learn, to see and to share. It has grown into a dynamic
group of over 700 members and has become become an important force in the
promotion of the Japanese garden culture in the UK. Any community is only as
strong as its constituent parts, and the JGS with its six regional groups is an
entirely volunteer organisation, which has achieved much wonderful work. Including creating gardens at hospices,
hospitals and resting homes, where these tranquil garden spaces can bring
solace to patients, carers and staff, as well as gardens in places open for all
to enjoy and benefit from. The commitment and enthusiasm of the members is
inspiring indeed.
 |
| Norwich Cathedral, UK |
One project in particular, being part of the team that created
a garden at Norwich cathedral (the building was completed in 1180), has been a
particular highlight. To bring something of Japanese culture to a place so
steeped in English history was very special, and showed how well a Japanese
garden can reach across what we may expect to be a cultural divide. I am
currently serving a second term as Chairman of the JGS and am greatly excited
by the developing maturity and continuing potential of the JGS as we pursue our
aims as a recognised charitable organisation. Other projects the JGS has created include the renovation of Danecourt Cemetery garden, Willowbrook Hospice, Bury Hospice, Hatchmill Nursing Home, also several gardens open to the public.
 |
| Garden of `reflection and Reconciliation, Willowbrook Hospice, Lancashire, UK |
 |
| Hatchmill Nursing Home, Surrey, UK |
I have come to understand that if we wish a garden to exude
a quality of harmony and integration, then this needs to also arise from the
heart of the garden creator. In this way the cyclical process of learning to
create these gardens in turn leads one on a path to develop those same qualities
within oneself. I am not sure how many gardens I have created over the past 35
years or so, probably about 200. Most have been for private clients, many of
whom have become dear friends, as well as several gardens in the public domain.
I have worked mainly in the UK, but also in Europe and the US of A.
 |
| Osmosis Day Spa, California |
I have tried over the years to find ways of honouring the
knowledge I have been granted, in garden cultures outside of Japan. My enduring
belief is that what we are able to learn of the Japanese garden tradition is of
importance beyond Japan. Gardens or paradezea
(from which we derive the English word ‘paradise’) were first created millennia
ago in the grounds of the temples of Mesopotamia. These were sacred transitory
spaces that prepared one to enter the temple, and were not simply aesthetic
enhancements. The garden has a function to connect us deeply to our original
home, that is, the landscape we are surrounded by. Now in our time, I believe
the need of gardens is ever more potent, and by observing and learning from the
Japanese garden tradition we can create gardens that are important, if not
vital, to our sense of wellbeing as an essentially urban dwelling society. It
is a journey that is only really beginning, and there is so much more we can
learn from the great masters of Japan who have left a legacy of work for us to
experience. Japan initially absorbed the inspiration of creating gardens from
China, developed and enhanced that knowledge into what we call the Japanese
tradition, and now we in the West are able to learn ourselves from this great
living tradition and draw it closer to our hearts. It is an extraordinary gift that
changes lives. I know this as it has changed my life in the best way possible.
 |
| Tea garden at Le manor aux Quat Saisons, Oxforshire, UK |
Finally I would like to give particular thanks to some those
who have guided and assisted my journey as a creator of Japanese style gardens:
To my original Sensei, Tsutomu Kobayashi, who I am sure will
be looking down from somewhere in the heavens with a grin of amusement at this
occasion.
To my great friend and colleague in the JGS, Graham Hardman.
It was Graham, himself a rightful recipient of this same award last year, who
proposed me to be a recipient today. Graham has been and remains a constant and
truly inspirational figure in his own right.
Also to the innumerable people of Kyoto and across Japan,
who have shown great kindness in guiding me to, and sharing their passion for
this wonderful tradition of garden making. I can safely say that my life has
been shaped by those gardens, and for that I am immensely grateful. It has
always been my belief that the knowledge I have received was not a personal
gift, but it has been my role to be a small conduit to pass this knowledge
onward and so to hopefully inspire others.
