tag:blogger.com,1999:blog-65943464591249837172024-03-18T03:03:32.925+00:00Robert Ketchell's blog
Musings, ramblings, and other writings of a mind looking for the mind.
Photography, poetry and prose.Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.comBlogger247125tag:blogger.com,1999:blog-6594346459124983717.post-25857794583581032952021-08-05T18:58:00.001+01:002021-08-05T18:58:18.939+01:00<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"></p><div class="separator" style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; clear: both; font-family: "Times New Roman"; font-size: 12px; text-align: center;"><a href="https://1.bp.blogspot.com/-kbKipZwr1ug/YQwkUOHsnLI/AAAAAAAAFKA/wCmkkrO6IzUXPEvwXdCNFHvyBzQhYNgNACLcBGAsYHQ/s2048/_RWK3260.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: justify;"><img border="0" data-original-height="2048" data-original-width="1356" height="320" src="https://1.bp.blogspot.com/-kbKipZwr1ug/YQwkUOHsnLI/AAAAAAAAFKA/wCmkkrO6IzUXPEvwXdCNFHvyBzQhYNgNACLcBGAsYHQ/w212-h320/_RWK3260.jpeg" width="212" /></a></div><p></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><br /></p> Seven Crosses Hill<p></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; min-height: 15px; text-align: center;"><br /></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">At the top of the hill</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Entering liminal space</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Here graced by name</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">730 stride-feet above the great Ocean’s lapping tongue:</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Seven Crosses.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Crosses calling for whom, when or why?</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">When all that remains are two storm damaged pines</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">A blindly pointing fingerpost sign</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">And silent red earth soft breathing sun warmth.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">This named point of transition </p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">A gateway both opening and closing.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; min-height: 15px; text-align: center;"><br /></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Leaving the town’s huddled houses, desire driven,</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">For a mile or so against gravity’s cling</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">The empty road encouraging to close the gap between here and there</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Right to the very edge</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">The tipping point where shape does dissolve into another.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Turn right and begin to breathe out on descent.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Note the shifting of the air</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">The sweetest held deepest in the valley</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Dropping thru Devon banked space..</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">For a brief moment Dartmoor’s shoulder holds my awareness </p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Landscape illuminated from within</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">As Aries first touch caresses great and small alike.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; min-height: 15px; text-align: center;"><br /></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">The Holloway cuts deep into the hill flank</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Rearing banks of young grasses and raucous Hart’s Tongue</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Sunbright primrose clusters born of light.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Breath drawn from a deeper source</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">The searching well at the bottom of a pit?</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Light begins to close as hedgerow trees weave a net</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Between heaven and earth; blind earthworm and floating buzzard.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Soon the road will become a shadowed tunnel to enter and leave by.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">In this moment emergent leaves cluster, the sun falling eastward </p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Throws gently darkening patches across the floor.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; min-height: 15px; text-align: center;"><br /></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">A twist or two in the road and released into the new light,</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Where the valley’s steep flanks touch</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Tentative fingertip to fingertip at first, then the merging begins.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">The Little Dart sings its own song</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">And shields its young below undercut banks</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">From Otter Eye and Heron Stalk,</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Giving enough to keep enough, one thing leading to another.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Following the descent, now to cross the water,</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Here is the other gate, another point of transformation</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Shifting from one side to the other, east to west.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Here any dust of the world yet clinging can be released downstream</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">For Mother Ocean to repair and disentangle as rain might fall.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; min-height: 15px; text-align: center;"><br /></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">For this is coming home</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Returning to that which you sense as being held,</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Here where the Larch became a building then a home</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">A point where Origin and Return converge</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">A place where tears can fall and laughter rise</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">As we find our own way back to the source of within and without.</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Here we can dance alone and together</p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;">Home within home without.</p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><br /></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-HfPQDtY9D50/YQwjXhrmnzI/AAAAAAAAFJw/3_JyQBDAKEsmmw5sp1RXzbabUrI7oN_-QCLcBGAsYHQ/s2048/_RWK4389.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1356" data-original-width="2048" height="212" src="https://1.bp.blogspot.com/-HfPQDtY9D50/YQwjXhrmnzI/AAAAAAAAFJw/3_JyQBDAKEsmmw5sp1RXzbabUrI7oN_-QCLcBGAsYHQ/s320/_RWK4389.jpeg" width="320" /></a></div><br /></div><br /><br /><p></p>Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-42584446950984590212018-08-09T22:04:00.002+01:002020-04-07T09:24:40.351+01:00Tearing At The Fabric Of The Sky<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "trebuchet ms" , sans-serif;">Flame touched & sun burnished<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Summer’s promise fulfilled as<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Earth’s marrow of moisture sucked–<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Even the gentlest of rain<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Just the merest dampening caress <o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Draws up a yearning ripe scent.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://4.bp.blogspot.com/-UJh_Q7H3mCg/W2yquqG15tI/AAAAAAAAE9g/Htm2HbiuJe4cfIYwSioLK4FqQU5IjuvBwCLcBGAs/s1600/IMG_0904.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://4.bp.blogspot.com/-UJh_Q7H3mCg/W2yquqG15tI/AAAAAAAAE9g/Htm2HbiuJe4cfIYwSioLK4FqQU5IjuvBwCLcBGAs/s320/IMG_0904.jpg" width="240" /></a></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Two wilden springs<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Running deep through the valley’s flank<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Molecule by molecule –<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Ah, water a‘top the hill too!<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Leaning against the window<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">A shed antler,<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Three branches reaching heavenwards -<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">This green cleft in the rain.<o:p></o:p></span><br />
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<a href="https://3.bp.blogspot.com/-PknE4MI-Hd4/W23ICneU-6I/AAAAAAAAE-Q/s3-fYHu9n8oIaIcPcraQd0Auqzf99RfhACLcBGAs/s1600/IMG_1385.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://3.bp.blogspot.com/-PknE4MI-Hd4/W23ICneU-6I/AAAAAAAAE-Q/s3-fYHu9n8oIaIcPcraQd0Auqzf99RfhACLcBGAs/s320/IMG_1385.JPG" width="240" /></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">This arc thus revealed<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Step after tentative step<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Binding the directions into a whole,<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Slipping aside the curtain<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">To catch a glimpse<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Of the valley as the world in itself.<o:p></o:p></span></div>
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<a href="https://2.bp.blogspot.com/--bcF5HBRDys/W2yr_d_lf-I/AAAAAAAAE-E/35Rszc7QvFI4H4eAzldL_Vu2au-OASR5QCLcBGAs/s1600/IMG_0883.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://2.bp.blogspot.com/--bcF5HBRDys/W2yr_d_lf-I/AAAAAAAAE-E/35Rszc7QvFI4H4eAzldL_Vu2au-OASR5QCLcBGAs/s320/IMG_0883.jpg" width="240" /></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Yearning to be seen;<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Becoming <o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Through being named.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">A long plaintive schreeck<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Tears at the sky-fabric<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">As a buzzard spirals beneath the clouds</span><span style="font-family: "times new roman";"><o:p></o:p></span></div>
Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com9tag:blogger.com,1999:blog-6594346459124983717.post-89078224953515017942018-08-06T12:25:00.000+01:002018-08-06T12:25:21.906+01:00Green Mountains Walking: A talk on Japanese Gardens<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-I5fkb8sZBL4/W2gv4IGyOxI/AAAAAAAAE9I/mIBQs_hXIbclcsXDELMJMNcxCrjYsoE8wCLcBGAs/s1600/Shokuho-en%2B3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://4.bp.blogspot.com/-I5fkb8sZBL4/W2gv4IGyOxI/AAAAAAAAE9I/mIBQs_hXIbclcsXDELMJMNcxCrjYsoE8wCLcBGAs/s320/Shokuho-en%2B3.jpg" width="320" /></a></div>
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<span style="font-family: inherit;">I shall be giving a talk in Deddington, Oxfordshire on the 27th October 2018. The talk is to help raise funds for the Deddington Nursery School.</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">The venue is the Windmill Centre, Hempton Road, Deddington <span style="background-color: white; font-size: 14px; white-space: nowrap;">OX15 0QH.</span></span><br />
<span style="font-family: inherit;"><span style="background-color: white; font-size: 14px; white-space: nowrap;"><br /></span></span>
<span style="font-family: inherit;"><span style="background-color: white; font-size: 14px; white-space: nowrap;">Time: 7.30 pm</span></span><br />
<span style="background-color: white; font-size: 14px; white-space: nowrap;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-family: inherit;"><span style="background-color: white; font-size: 14px; white-space: nowrap;">Tickets are £10.00 including a glass of wine, and tickets can be obtained by going to: </span><a class="" href="https://www.eventbrite.co.uk/e/green-mountains-walking-a-talk-on-japanese-gardens-tickets-47815245687">https://www.eventbrite.co.uk/e/green-mountains-walking-a-talk-on-japanese-gardens-tickets-47815245687</a></span>Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com7tag:blogger.com,1999:blog-6594346459124983717.post-90655375847435442302018-02-26T21:01:00.001+00:002018-03-15T21:45:37.147+00:00Award Presentation<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-yFehcuvg8rc/WpRpVaSQs3I/AAAAAAAAE6c/4UIgG3a7STwUiU9IJlcHz1YTf1-95w-8wCEwYBhgL/s1600/IMG_1083.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://3.bp.blogspot.com/-yFehcuvg8rc/WpRpVaSQs3I/AAAAAAAAE6c/4UIgG3a7STwUiU9IJlcHz1YTf1-95w-8wCEwYBhgL/s320/IMG_1083.jpg" width="240" /></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">On the 23rd of February 2018 I was very kindly conferred with </span><span style="font-family: "trebuchet ms" , sans-serif;">the Order of the Rising Sun with Golden Rays and Rosette </span><span style="font-family: "trebuchet ms" , sans-serif;">by the Japanese ambassador Mr Koji Tsuruoka. The award was in recognition of the contribution made to the promotion of the Japanese garden culture in the UK.</span><br />
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<a href="https://1.bp.blogspot.com/-LDzqSwcRwNQ/WqrpSCRqqaI/AAAAAAAAE8Y/USb0izzU4F8vxS70_FhjPRAnidrLKWXZgCLcBGAs/s1600/2018-02-23_RobertKetchell000.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1221" height="320" src="https://1.bp.blogspot.com/-LDzqSwcRwNQ/WqrpSCRqqaI/AAAAAAAAE8Y/USb0izzU4F8vxS70_FhjPRAnidrLKWXZgCLcBGAs/s320/2018-02-23_RobertKetchell000.jpg" width="244" /></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The following is the text of the speech I gave at the presentation:</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">I think it is fair to say that this occasion is an
extra-ordinary day in my life. But then, in so many ways the whole journey that
began with my first visit to Japan in 1980 has been far from ordinary. I well
remember when I was at horticultural college in the early 1970’s coming across
a book in the library that had a number of pictures of gardens from Japan.
Although at the time, in my early twenties, I already had an interest in the
Far East through Buddhism and poetry, I knew nothing at all about the ancient
garden culture of Japan. The grainy black and white pictures piqued my
interest. There was something about their apparent simplicity that challenged
my notion of what a garden was, and what a garden could be. A little while later
I visited the Japanese garden at Tatton Park in Cheshire and what stayed with
me was the sense of repose and quietude of that garden.<o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-4oXXaplBjzw/WpRsaT42RHI/AAAAAAAAE7U/BEHjzIPcqRIlHNr5sa_Nloi5XWQf-jr3QCEwYBhgL/s1600/_RWK8175.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1060" data-original-width="1600" height="211" src="https://1.bp.blogspot.com/-4oXXaplBjzw/WpRsaT42RHI/AAAAAAAAE7U/BEHjzIPcqRIlHNr5sa_Nloi5XWQf-jr3QCEwYBhgL/s320/_RWK8175.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ryoan-ji, Kyoto</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">It was only much later that the opportunity to go to Japan
arose. I imagined that I would stay a while and use the time to visit some
gardens, then resume my career as a gardener, who secretly desired to be a
poet, in England. I think the first garden I saw in Japan was at Ryoan-ji
temple. Outside of Japan, it is possibly the most familiar of the great Kyoto
gardens. What was so bewitching was the atmosphere of the space, even more
beguiling than the sparse components of the garden itself. It seemed to possess
a certain kind of magic made manifest. For many years now I have been fortunate
to return to Kyoto and Japan. I have revisited Ryoan-ji on many occasions, and
still it holds a palpable sense of the magical and the transcendental. Its
absolute modesty is also somehow its soaring ambition.</span></div>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-C2ndu053hWQ/WpRrvh83GDI/AAAAAAAAE7I/y9uLU5IA_Sc4aPebU7Bfd3QNgGR0aCh9gCEwYBhgL/s1600/_RWK6548.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1060" data-original-width="1600" height="211" src="https://1.bp.blogspot.com/-C2ndu053hWQ/WpRrvh83GDI/AAAAAAAAE7I/y9uLU5IA_Sc4aPebU7Bfd3QNgGR0aCh9gCEwYBhgL/s320/_RWK6548.jpg" width="320" /></a></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-rceaRlIMayI/WpRsXm-FSoI/AAAAAAAAE7Q/x1xqPNztx5gVcSj03G_tMM210hkLv00iQCEwYBhgL/s1600/_RWK7936.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1060" data-original-width="1600" height="211" src="https://1.bp.blogspot.com/-rceaRlIMayI/WpRsXm-FSoI/AAAAAAAAE7Q/x1xqPNztx5gVcSj03G_tMM210hkLv00iQCEwYBhgL/s320/_RWK7936.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Private garden, Surrey, UK.</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">For me the Japanese garden is a confluence of art and
spirituality. It is not a passive creation, but one deeply imbued with a
vitality of life and time. It has the capacity to speak to us in a profound
way; also to communicate much of what it is to be human, and so to understand
better our place in this world.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="mso-spacerun: yes;"><a href="https://3.bp.blogspot.com/-NaVGSnUlOnQ/WpRxV7xRU4I/AAAAAAAAE7s/kSEcYgPMOo8BiEnMPgcm9brt2z8rS31owCLcBGAs/s1600/IMG_0151.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-NaVGSnUlOnQ/WpRxV7xRU4I/AAAAAAAAE7s/kSEcYgPMOo8BiEnMPgcm9brt2z8rS31owCLcBGAs/s320/IMG_0151.jpg" width="320" /></a></span></span></div>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-vqdHy0OX7oY/WpRxZ-xsd5I/AAAAAAAAE7w/GIfAeRI7AcMNiqhL6KqgJLyCFpuYjIA2ACLcBGAs/s1600/IMG_0189.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-vqdHy0OX7oY/WpRxZ-xsd5I/AAAAAAAAE7w/GIfAeRI7AcMNiqhL6KqgJLyCFpuYjIA2ACLcBGAs/s320/IMG_0189.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Private garden, Gloucestershire UK.<br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Kobayashi san, my teacher was pivotal to being able to engage in a deeper practical education of Japanese gardens. I still think of myself as being an ‘accidental apprentice’. The first months of my apprenticeship were not by any measure the easiest of my life. I knew hardly any Japanese and also my introduction to garden making in Japan was working on the very Western rose garden at the Kyoto Botanical Garden. Frustrated, rather than magical would be how I would describe those initial months as an apprentice. But what I came to understand was that the relationship between teacher and student is entirely different to what I had been accustomed to. In Japan the apprentice is required to prove to the teacher that you are worthy of being taught, and secondly that essentially the student ‘steals’ the knowledge from the master. I owe Kobayashi Sensei a huge debt of gratitude for his persistence and forbearance, for whom I am sure I was a very wayward student, albeit a wholly determined one. Sensei taught me that you learn through your hands, and when you do it enters the heart, so then the knowledge gained is never lost but it becomes part of the fabric of one’s being.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">I have also great gratitude to other figures such as
Professor Makoto Nakamura who invited me to become a research student at Kyoto
University, which enabled me to have access to the landscape department and its
library, as well as his own great fund of knowledge. Also more recently to
people like the contemporary garden creator Yasuo Kitayama san with whom I
spent many hours being entranced by detailed explanations of his own philosophy
concerning garden making.</span><span style="font-family: "trebuchet ms" , sans-serif;"> </span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-ta5c_x3z7XI/WpRwDQNtgII/AAAAAAAAE7k/b29Spp50Su4O5ujW68tQRf3tzG9pC99nACLcBGAs/s1600/%2BJGS%2Blogo.tiff" imageanchor="1" style="font-family: "trebuchet ms", sans-serif; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="328" data-original-width="349" height="187" src="https://4.bp.blogspot.com/-ta5c_x3z7XI/WpRwDQNtgII/AAAAAAAAE7k/b29Spp50Su4O5ujW68tQRf3tzG9pC99nACLcBGAs/s200/%2BJGS%2Blogo.tiff" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">logo of the Japanese Garden Society<span style="font-family: "trebuchet ms" , sans-serif;"> </span><span style="font-family: "trebuchet ms" , sans-serif;"> </span></td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">The formation of the Japanese Garden Society (http://www.jgs.org.uk) in 1993 was an
important milestone. I have been fortunate to have had an association with the JGS
from the beginning, and seen its development over the past 25 years. Central to
the founding aims of the JGS has been to disseminate knowledge of Japanese
gardens in the UK. To learn, to see and to share. It has grown into a dynamic
group of over 700 members and has become become an important force in the
promotion of the Japanese garden culture in the UK. Any community is only as
strong as its constituent parts, and the JGS with its six regional groups is an
entirely volunteer organisation, which has achieved much wonderful work. <span style="mso-spacerun: yes;"> </span>Including creating gardens at hospices,
hospitals and resting homes, where these tranquil garden spaces can bring
solace to patients, carers and staff, as well as gardens in places open for all
to enjoy and benefit from. The commitment and enthusiasm of the members is
inspiring indeed.<o:p></o:p></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-z01nZHuHVjw/WpRpT2K7SUI/AAAAAAAAE6c/VmWb4_90T6Iprw47oskexbkschiRyIjoQCEwYBhgL/s1600/Norwich_0080%2B2.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1065" data-original-width="1600" height="212" src="https://4.bp.blogspot.com/-z01nZHuHVjw/WpRpT2K7SUI/AAAAAAAAE6c/VmWb4_90T6Iprw47oskexbkschiRyIjoQCEwYBhgL/s320/Norwich_0080%2B2.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Norwich Cathedral, UK</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">One project in particular, being part of the team that created
a garden at Norwich cathedral (the building was completed in 1180), has been a
particular highlight. To bring something of Japanese culture to a place so
steeped in English history was very special, and showed how well a Japanese
garden can reach across what we may expect to be a cultural divide. I am
currently serving a second term as Chairman of the JGS and am greatly excited
by the developing maturity and continuing potential of the JGS as we pursue our
aims as a recognised charitable organisation. Other projects the JGS has created include the renovation of Danecourt Cemetery garden, Willowbrook Hospice, Bury Hospice, Hatchmill Nursing Home, also several gardens open to the public.</span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-JldlVNRcj_8/WpRyoUQyT3I/AAAAAAAAE78/OU-GsSC8ICYi2TphXM6nPm8m4BEcsNOVACLcBGAs/s1600/willowbrook%2Bhospice%2B1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://2.bp.blogspot.com/-JldlVNRcj_8/WpRyoUQyT3I/AAAAAAAAE78/OU-GsSC8ICYi2TphXM6nPm8m4BEcsNOVACLcBGAs/s320/willowbrook%2Bhospice%2B1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Garden of `reflection and Reconciliation, Willowbrook Hospice, Lancashire, UK</td></tr>
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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-xdKzCQpBd-A/WpRq6FwwuBI/AAAAAAAAE64/ptu3uZfpGPID0R4G5NwC5kHHuTAGHsDUACEwYBhgL/s1600/_RWK4216.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1060" data-original-width="1600" height="211" src="https://3.bp.blogspot.com/-xdKzCQpBd-A/WpRq6FwwuBI/AAAAAAAAE64/ptu3uZfpGPID0R4G5NwC5kHHuTAGHsDUACEwYBhgL/s320/_RWK4216.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hatchmill Nursing Home, Surrey, UK</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">I have come to understand that if we wish a garden to exude
a quality of harmony and integration, then this needs to also arise from the
heart of the garden creator. In this way the cyclical process of learning to
create these gardens in turn leads one on a path to develop those same qualities
within oneself. I am not sure how many gardens I have created over the past 35
years or so, probably about 200. Most have been for private clients, many of
whom have become dear friends, as well as several gardens in the public domain.
I have worked mainly in the UK, but also in Europe and the US of A.</span></div>
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<a href="https://1.bp.blogspot.com/-7E7oczNANws/WpRpy_kjAzI/AAAAAAAAE6g/2gv2VMKtxFYg-NmB-Tkd3cmfaQHSuTXDgCEwYBhgL/s1600/Osmosis_0042.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1065" data-original-width="1600" height="212" src="https://1.bp.blogspot.com/-7E7oczNANws/WpRpy_kjAzI/AAAAAAAAE6g/2gv2VMKtxFYg-NmB-Tkd3cmfaQHSuTXDgCEwYBhgL/s320/Osmosis_0042.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-by3oNA9eF_U/WpRpZYr31TI/AAAAAAAAE6c/8kpTDe42g2A2OJshc9wEpF4RtlzIYZtuACEwYBhgL/s1600/DSC_0049.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1065" data-original-width="1600" height="212" src="https://3.bp.blogspot.com/-by3oNA9eF_U/WpRpZYr31TI/AAAAAAAAE6c/8kpTDe42g2A2OJshc9wEpF4RtlzIYZtuACEwYBhgL/s320/DSC_0049.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Osmosis Day Spa, California<span style="font-family: "trebuchet ms" , sans-serif;"> </span></td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">I have tried over the years to find ways of honouring the
knowledge I have been granted, in garden cultures outside of Japan. My enduring
belief is that what we are able to learn of the Japanese garden tradition is of
importance beyond Japan. Gardens or <i style="mso-bidi-font-style: normal;">paradezea</i>
(from which we derive the English word ‘paradise’) were first created millennia
ago in the grounds of the temples of Mesopotamia. These were sacred transitory
spaces that prepared one to enter the temple, and were not simply aesthetic
enhancements. The garden has a function to connect us deeply to our original
home, that is, the landscape we are surrounded by. Now in our time, I believe
the need of gardens is ever more potent, and by observing and learning from the
Japanese garden tradition we can create gardens that are important, if not
vital, to our sense of wellbeing as an essentially urban dwelling society. It
is a journey that is only really beginning, and there is so much more we can
learn from the great masters of Japan who have left a legacy of work for us to
experience. Japan initially absorbed the inspiration of creating gardens from
China, developed and enhanced that knowledge into what we call the Japanese
tradition, and now we in the West are able to learn ourselves from this great
living tradition and draw it closer to our hearts. It is an extraordinary gift that
changes lives. I know this as it has changed my life in the best way possible.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"> </span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="mso-spacerun: yes;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-d5_puKHUPTg/WpR0BSidkZI/AAAAAAAAE8I/Qj6FTU_y6nsITzv4aY1OvVjx0JwW8UBPQCLcBGAs/s1600/_DSC3780.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1060" data-original-width="1600" height="211" src="https://2.bp.blogspot.com/-d5_puKHUPTg/WpR0BSidkZI/AAAAAAAAE8I/Qj6FTU_y6nsITzv4aY1OvVjx0JwW8UBPQCLcBGAs/s320/_DSC3780.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tea garden at Le manor aux Quat Saisons, Oxforshire, UK</td></tr>
</tbody></table>
</span></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Finally I would like to give particular thanks to some those
who have guided and assisted my journey as a creator of Japanese style gardens:
<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">To my original Sensei, Tsutomu Kobayashi, who I am sure will
be looking down from somewhere in the heavens with a grin of amusement at this
occasion. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">To my great friend and colleague in the JGS, Graham Hardman.
It was Graham, himself a rightful recipient of this same award last year, who
proposed me to be a recipient today. Graham has been and remains a constant and
truly inspirational figure in his own right.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
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<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Also to the innumerable people of Kyoto and across Japan,
who have shown great kindness in guiding me to, and sharing their passion for
this wonderful tradition of garden making. I can safely say that my life has
been shaped by those gardens, and for that I am immensely grateful. It has
always been my belief that the knowledge I have received was not a personal
gift, but it has been my role to be a small conduit to pass this knowledge
onward and so to hopefully inspire others.</span><o:p></o:p></div>
Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com10tag:blogger.com,1999:blog-6594346459124983717.post-54858989356090517132017-11-30T20:33:00.001+00:002017-12-01T09:47:07.153+00:00Notes On Writing<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">I live your life,<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Colour them with words<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Which become<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Sentences that flow into paragraphs - <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">They shape the pages,<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Dense woodlands of words made good.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-w5v9-Rz079o/WiBnLbqjWyI/AAAAAAAAE5I/mWyTBfdIg30MaXUdkfVcMJkKahw55qWKQCLcBGAs/s1600/IMG_0864.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://4.bp.blogspot.com/-w5v9-Rz079o/WiBnLbqjWyI/AAAAAAAAE5I/mWyTBfdIg30MaXUdkfVcMJkKahw55qWKQCLcBGAs/s320/IMG_0864.jpg" width="240" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">I live your life,<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Climb breathless your flanks<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">The steep track with its dragging gravity.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">One word at a time,<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">One heartbeat following the next.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-gysX6uR8Hzg/WiBoK2_g6uI/AAAAAAAAE5U/yHJdp9XsXpIhnGiuR2tM52lWZW9BiZz5wCLcBGAs/s1600/IMG_0747.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://3.bp.blogspot.com/-gysX6uR8Hzg/WiBoK2_g6uI/AAAAAAAAE5U/yHJdp9XsXpIhnGiuR2tM52lWZW9BiZz5wCLcBGAs/s320/IMG_0747.jpg" width="240" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">I live your life,<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">From some deep spring<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Emerging to run quicksilver<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Across<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Low winter sun.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://1.bp.blogspot.com/-9rIkQzhME3I/WiBoRHM_kdI/AAAAAAAAE5Y/Mc0IuE9pxj0vDKooriujHYAXBThnpp_NACLcBGAs/s1600/IMG_0374.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://1.bp.blogspot.com/-9rIkQzhME3I/WiBoRHM_kdI/AAAAAAAAE5Y/Mc0IuE9pxj0vDKooriujHYAXBThnpp_NACLcBGAs/s320/IMG_0374.jpg" width="240" /></a> </span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">I live your life,</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Never knowing who leads whom.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">So where does this path go?</span></div>
<br />
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-vdH2Ig5SfRk/WiBoS5WgO2I/AAAAAAAAE5c/J7iQHumLwPEyvi475-16mI_Xj_zH0I8vgCLcBGAs/s1600/IMG_0371.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://3.bp.blogspot.com/-vdH2Ig5SfRk/WiBoS5WgO2I/AAAAAAAAE5c/J7iQHumLwPEyvi475-16mI_Xj_zH0I8vgCLcBGAs/s320/IMG_0371.jpg" width="240" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">I live your life,<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">The unsullied white sheet<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">On which dreamtime plays<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Amid brilliance and shadows<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Warp & Weft -<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Breaking through the undergrowth</span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Great oaks reach for the sky</span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Marking the drover’s way.</span></div>
<div class="MsoNormal" style="text-align: center;">
<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-6-4K3qJKRbE/WiBpc_QkCtI/AAAAAAAAE5k/JEA8bbtl_y4fwFKqUek3tqSb76t7nX0dACLcBGAs/s1600/_RWK3267.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1060" height="400" src="https://2.bp.blogspot.com/-6-4K3qJKRbE/WiBpc_QkCtI/AAAAAAAAE5k/JEA8bbtl_y4fwFKqUek3tqSb76t7nX0dACLcBGAs/s400/_RWK3267.jpg" width="263" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com5tag:blogger.com,1999:blog-6594346459124983717.post-66346730591879245692017-11-21T09:01:00.001+00:002017-11-25T01:33:09.749+00:00After The Last Visitor Has Gone<div class="MsoNormal" style="text-align: center;">
Long after the visitor has gone<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
The sound of the bell<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Lingers amongst birdsong.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-MIGhq2mjeyA/WhPpB66VG5I/AAAAAAAAE4c/IbLh23nUSrM0R6qOEW2xx2hUzM8gRnjjgCLcBGAs/s1600/IMG_0651.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://3.bp.blogspot.com/-MIGhq2mjeyA/WhPpB66VG5I/AAAAAAAAE4c/IbLh23nUSrM0R6qOEW2xx2hUzM8gRnjjgCLcBGAs/s320/IMG_0651.jpg" width="320" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<o:p></o:p></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<div class="MsoNormal" style="text-align: center;">
Stepping stones scattered<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Across the mossy floor<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Sunlight, brilliant green.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-DORyrPouplQ/WhPpCE2tVlI/AAAAAAAAE4k/655k6pZvpD4k93YN4vruizzuP7hNV76hQCLcBGAs/s1600/IMG_0659.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://2.bp.blogspot.com/-DORyrPouplQ/WhPpCE2tVlI/AAAAAAAAE4k/655k6pZvpD4k93YN4vruizzuP7hNV76hQCLcBGAs/s320/IMG_0659.jpg" width="320" /></a></div>
<br />
<div class="MsoNormal" style="text-align: center;">
Beyond the autumn leaves<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
A tea house roof –<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
A gentle murmur of voices<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Mingling with water’s flow.</div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-EFOhnizbB_I/WhPp2hmAmiI/AAAAAAAAE40/Fe8OmY6ZJlkZ0VC7SP1lVbEEoJiMg0UAQCLcBGAs/s1600/IMG_0469.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://1.bp.blogspot.com/-EFOhnizbB_I/WhPp2hmAmiI/AAAAAAAAE40/Fe8OmY6ZJlkZ0VC7SP1lVbEEoJiMg0UAQCLcBGAs/s320/IMG_0469.jpg" width="240" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="MsoNormal" style="text-align: center;">
Under a brilliant sky<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Red, yellow and orange leaves<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Barely disturbed by the breeze.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-wCtgjJLo6xQ/WhPqNeIkbHI/AAAAAAAAE44/NbUsZzwWuDYBXMFaZHODSQscG815kDDcQCLcBGAs/s1600/IMG_0464.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://1.bp.blogspot.com/-wCtgjJLo6xQ/WhPqNeIkbHI/AAAAAAAAE44/NbUsZzwWuDYBXMFaZHODSQscG815kDDcQCLcBGAs/s320/IMG_0464.jpg" width="240" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
To the camellia flower<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
A visitor resting,<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Lunch perhaps?<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-EYwPThKVmxI/WhPp2WuPyOI/AAAAAAAAE4w/XrBve8BTqyAdMIh_WPeYIcXQE_NJyhxWQCLcBGAs/s1600/IMG_0479.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://2.bp.blogspot.com/-EYwPThKVmxI/WhPp2WuPyOI/AAAAAAAAE4w/XrBve8BTqyAdMIh_WPeYIcXQE_NJyhxWQCLcBGAs/s320/IMG_0479.jpg" width="240" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
Reaching the mountain top<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Swallowed by cloud –<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
No view reveals all.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-LQHfVNLYgAg/WhPpB7fTDQI/AAAAAAAAE4g/8gG6mBYA7HUXSa7AxvzF-m0UnN-2GfV5ACLcBGAs/s1600/IMG_0661.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://2.bp.blogspot.com/-LQHfVNLYgAg/WhPpB7fTDQI/AAAAAAAAE4g/8gG6mBYA7HUXSa7AxvzF-m0UnN-2GfV5ACLcBGAs/s320/IMG_0661.jpg" width="320" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
Softened by rain<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
The earth breathes<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
In-breath follows out-breath –<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Drip, drip, drip from a pine branch tip.</div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
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<!--StartFragment-->
<!--EndFragment-->Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com2tag:blogger.com,1999:blog-6594346459124983717.post-53178330466038832102017-11-02T10:38:00.001+00:002017-11-02T10:39:29.344+00:00The Gardener's Apprentice now available in paperback<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-QupcN0RJfvs/WfrzwG2L10I/AAAAAAAAE4A/7KDrkxy5pgkhsVLxL0lI_AU1b3nYuHBIACLcBGAs/s1600/67771804_High%2BResolution%2BFront%2BCover.7054490.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://2.bp.blogspot.com/-QupcN0RJfvs/WfrzwG2L10I/AAAAAAAAE4A/7KDrkxy5pgkhsVLxL0lI_AU1b3nYuHBIACLcBGAs/s320/67771804_High%2BResolution%2BFront%2BCover.7054490.jpg" width="213" /></a></div>
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My novel 'The Gardener's Apprentice' is now available in paperback on Amazon. Personal signed copies should be available in a few weeks time direct from me. Please get a copy! The perfect Christmas present for family, friends and lovers.<br />
<br />
Meanwhile I am working on a sequel which is just over halfway through. Time is limited as I have been busy with various garden projects. I am hoping to have the sequel available next summer.<br />
<br />
If you read the book. please let me know what you think, and do write a review on Amazon page<br />
<br />
Go well.<br />
<br />
RobertRobert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com3tag:blogger.com,1999:blog-6594346459124983717.post-79599955482877236692017-07-06T22:36:00.001+01:002017-07-08T09:32:43.868+01:00A History of Japanese Gardens<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "trebuchet ms" , sans-serif;">The
Japanese garden tradition is one of the oldest continuous garden traditions in
the world. The creation of gardens dates back to the time of the earliest
official contacts between Japan and its continental neighbour China in the 7th
century. At this time in China landscape gardening was already highly developed
and being practised on a very sophisticated and extensive scale. Landscape
gardens were created following the Paradise model, that is, gardens were
created as an evocation of an idealized state of being. Hence from the very
beginning of the tradition gardens were created for purposes that reach beyond
the simply ornamental. The concept of gardens containing a spiritual element
has been embedded in Japan from the outset.</span><o:p></o:p></span></div>
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<a href="https://2.bp.blogspot.com/-FSR9bz39ExU/WV6lKy0uZRI/AAAAAAAAE2U/E_dRqJlCnEs2E3OR9W7Ww84CQ7R1PZxVQCLcBGAs/s1600/_RWK3941.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1060" data-original-width="1600" height="211" src="https://2.bp.blogspot.com/-FSR9bz39ExU/WV6lKy0uZRI/AAAAAAAAE2U/E_dRqJlCnEs2E3OR9W7Ww84CQ7R1PZxVQCLcBGAs/s320/_RWK3941.jpg" width="320" /></a></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "trebuchet ms" , sans-serif;">Nature and
a vision of man in relationship with the natural landscape was, and remains,
the foundational model for the concept of gardens in the East. The first
gardens created in Japan featured a pond with a small island. The original term
for a garden was <i style="mso-bidi-font-style: normal;">shima</i>, which means
‘island’. Gardens would have primarily had a ritual function, and been a place
where rituals were carried out. Part of the original impetus to create gardens
was to fashion a space as a suitable abode for the deities on earth; in the
anticipation that it would encourage the gods to reside on earth in close
proximity to human society. This concept was an extension of Shintoist<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-size: 12.0pt;">[1]</span></span><!--[endif]--></span></span></a>
belief that the deities abide in the landscape, and it was in specific places
in the landscape (mountains, spring sources, caves, old trees and rocks, etc)
that humans could commune with the deities. Across East Asia landscape was seen
and appreciated as a model of spiritual liberation, religious and political
authority, and moral purity, particularly when contrasted with the complexity
of human life in urban centres.</span><o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-uisre5vdIis/WV6lvJYLMrI/AAAAAAAAE2Y/s-iY4rXxEvQV844AGw_2n6u4tx7SAz9lwCLcBGAs/s1600/Kyuseki%2BTeien_0152.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1058" data-original-width="1600" height="211" src="https://2.bp.blogspot.com/-uisre5vdIis/WV6lvJYLMrI/AAAAAAAAE2Y/s-iY4rXxEvQV844AGw_2n6u4tx7SAz9lwCLcBGAs/s320/Kyuseki%2BTeien_0152.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kyuseki Teen, Nara</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"> The Heian
period (784 - 1185), which began with the founding of a new capital, Kyoto,
heralded a period of a great flowering of the arts and culture in Japan.
Cultural pursuits were the preserve of a minority, though critically important
section of the society, essentially the aristocracy. Though this could have
only happened if there was a wider assimilation of skilled crafts people
capable of developing unique skills. In particular, the garden tradition was to
rise to prominence during the Heian period, and a distinctly Japanese identity
to gardens begins to emerge.</span></div>
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<tr><td><a href="https://3.bp.blogspot.com/-S6yeebMiq0c/WV6oWkG6WtI/AAAAAAAAE2s/HiUB1WlIE6QYFF23RENFIlWJlMGv26VsgCLcBGAs/s1600/_RWK9958.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1060" data-original-width="1600" height="211" src="https://3.bp.blogspot.com/-S6yeebMiq0c/WV6oWkG6WtI/AAAAAAAAE2s/HiUB1WlIE6QYFF23RENFIlWJlMGv26VsgCLcBGAs/s320/_RWK9958.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption">Byodo-in, Uji</td></tr>
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<span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif; mso-ansi-language: EN-US;">One of the
characteristics of the period is the emergence of a particularly Japanese style
of architecture, <i>shindenzukuri.</i> The <i>shinden</i>, or Main Hall, sat at
the centre of the architectural complex, with roofed corridors extending out to
the east and west sides, these in turn leading to pavilions. The area
immediately to the south of the Main Hall was usually a flat graveled courtyard
(which was used on ceremonial occasions, in which two trees considered sacred
were planted - a mandarin orange and cherry). It was characteristic of <i style="mso-bidi-font-style: normal;">shinden</i> architecture that the interior
spaces were capable of being opened almost entirely to allow views of the
exterior, hence the garden setting was emphasised by the sparsely furnished and
dimly lit interiors. <span style="mso-spacerun: yes;"> </span>The richly detailed
arrangement of the garden was centred about a large pond, which was also used
for boating, as well as strolling, and situated in the pond would have been an
island. The garden was created to suggest a variety of different landscape
settings; mountain landscapes, seascapes, riverine landscapes, marshes, and so
on. A variety of planting material was used specific to the type of landscapes
being recreated in the garden. Plants including trees would have been collected
in the wild and brought to the capital. The idea was that by touring around the
garden the viewer could experience a variety of different landscapes.<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "trebuchet ms" , sans-serif;">It was usual
to create sections of gardens that recalled or referred to renown landscapes
both in Japan as well as in China. Many of which would have been known of
through poetry. <span style="mso-spacerun: yes;"> </span>The aristocracy
travelled rarely beyond Kyoto itself, so these features in gardens became
popular. The practice also indicates how important the imagination of the
viewer was in interpreting, understanding and appreciating garden scenery.
Poetry was important in the lives of the Heian elite, particularly classical
Chinese poetry that was rich in references to nature, it underlines the acute
awareness of connectivity with the natural world to the lives of people of the
era. Gardens were an extension of this ontology, and in many ways could be said
to be the stage on which the lives of people of the time unfolded.</span><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-O9wA8_MLFWM/WV6mg22_0iI/AAAAAAAAE2c/1IvMnGPO0bEmUF8yqqYL0VKD-_Mrk2ZVwCLcBGAs/s1600/Tenryu-ji%2B04.JPEG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-O9wA8_MLFWM/WV6mg22_0iI/AAAAAAAAE2c/1IvMnGPO0bEmUF8yqqYL0VKD-_Mrk2ZVwCLcBGAs/s320/Tenryu-ji%2B04.JPEG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tenryu-ji, Arashiyama</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">In the
early 11th century a manual of garden creation was complied, the <i>Sakuteiki</i>
('Records of Garden Making') is one of the earliest such books in the world. It
covers many subjects in detail, from different styles of gardens, the use of
stones and plants, to various taboos associated with gardens and their making.
The <i style="mso-bidi-font-style: normal;">Sakuteiki</i> drew together the
current conceptions of the garden and reveals much of how the role of the
garden was considered. The garden was not simply a place for aesthetic pleasure,
but a space in which the viewer would interact with the garden on a variety of
levels. An important consideration for the author of Sakuteiki<i style="mso-bidi-font-style: normal;"> </i>was geomancy (</span><span lang="EN-US" style="font-family: "ms 明朝" , "serif"; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">風水</span><span lang="EN-US" style="mso-ansi-language: EN-US;">, Ch. <i style="mso-bidi-font-style: normal;">feng shui. </i>Jp<i style="mso-bidi-font-style: normal;">. f</i></span><i style="mso-bidi-font-style: normal;">ūsui</i>), a complex range of concepts
concerned with the interpretation and divination of patterns of energy believed
to be running through the environment. To the Chinese observance of geomancy
was a way by which humans could live in close harmony with environmental
forces. Geomancy was believed to be relevant to all human activities, from city
planning, architecture and the siting of buildings, politics and even to the
travel arrangements of people. The garden landscape being seen as a source of
well-being was deeply influenced by geomantic considerations. Prime among these
was the directional flow of water, where the optimal orientation was for water
to flow from east to south and then turn to exit the garden in the west. Where
this is done, the <i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">Sakuteiki</span></i> observes, the “master of
the household will avoid sickness and tumours, be of sound health, and lead a
long and happy life.” <a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12.0pt;">[2]</span></span><!--[endif]--></span></span></a><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">A section of the text is taken up with taboos, principally
associated with the placement of stones in the garden, and it observes that
even if one taboo is violated it may cause grievous harm. The <i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">Sakuteiki</span></i><span lang="EN-US" style="mso-ansi-language: EN-US;"> </span><span style="mso-spacerun: yes;"> </span>notes, “”Do not set a stone that is higher
than the verandah in the immediate vicinity of the house. If this rule is not
obeyed, troubles will follow one after the other, and the master of the
household will not live for long. However, temples and shrines are exempt from
this rule.”<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn3" name="_ftnref3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12.0pt;">[3]</span></span><!--[endif]--></span></span></a> Great
emphasis has always been associated with the setting of stones in the garden,
and it is regarded as the benchmark of the skill of a garden creator in Japan
to this day. </span><span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ZtEX1SW5Lgg/WV6nCM6UxJI/AAAAAAAAE2k/4yDQxwnkLZUPO8f3m0R9CMCopnRJmwH2gCLcBGAs/s1600/_RWK2767.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1060" data-original-width="1600" height="211" src="https://1.bp.blogspot.com/-ZtEX1SW5Lgg/WV6nCM6UxJI/AAAAAAAAE2k/4yDQxwnkLZUPO8f3m0R9CMCopnRJmwH2gCLcBGAs/s320/_RWK2767.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Toji-in, Kyoto</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;">The end of
the Heian period was marked by the decline in influence of the aristocracy, and
the rise of the military class (<i>samurai) </i>as the predominant social
class. The <i>samurai </i>sought to maintain and imitate the garden and
architectural styles of the nobility. In the gardens of the 12th through 15th
centuries gardens such as Tenryu-ji, Saiho-ji, Toji-in, Ginkaku-ji and
Kinkaku-ji were created which retain elements of Heian styles while at the same
time strived towards new ideas and means of expression. During this time span a
more fully realised Japanese style emerged, one that leaves behind overt
Chinese influences to become more firmly rooted in the geographical and
aesthetic sensibilities of Japanese culture. The influence of China on Japanese
culture in general has been profound over the centuries, and many of the
earliest gardens were probably made either by Chinese or Korean craftsmen. Also
there were a number of Japanese monks who travelled to China to study, and they
would have returned not only with new ideas, religious texts and other artifacts,
but would have experienced gardens in the grounds temples too.</span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-s_euFaVuyxc/WV6m1UVZAAI/AAAAAAAAE2g/3UUrp5QioKYfKZqfSO3ExlWPHjl90S9PACLcBGAs/s1600/Ginkaku-ji.55.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://3.bp.blogspot.com/-s_euFaVuyxc/WV6m1UVZAAI/AAAAAAAAE2g/3UUrp5QioKYfKZqfSO3ExlWPHjl90S9PACLcBGAs/s320/Ginkaku-ji.55.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ginkaku-ji, Kyoto</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="mso-bidi-font-style: italic;">The <span style="mso-bidi-font-weight: bold;">Muromachi period</span> (1393 to 1568)
which followed the Kamakura period (1185-1393) was a time of great upheaval
politically in Japan, and yet is also seen as being something of a golden age
in cultural terms. Certainly with the creation of gardens such as Kinkaku-ji
(1397), Ginkaku-ji (1489), Daisen-in (early 16<sup>th</sup> C) and Ryoan-ji
(late 16<sup>th</sup> C), the art of gardens reaches something of a creative
peak. </span><span lang="EN-US" style="mso-ansi-language: EN-US;">Zen Buddhism was
introduced into Japan in the 12<sup>th</sup> C by My</span>ōan Eisai has had a
profound influence on all aspects of Japanese culture; the popular image of a
Japanese garden with its raked gravel is derived from a style of garden
developed in Zen temples. <span lang="EN-US" style="mso-ansi-language: EN-US;">The
concept of landscape was very important to Zen monks, and hence one’s
relationship to the landscape itself. Gardens were a means by which that
relationship could be brought into awareness of people living in urban areas,
which the majority of monks were doing. Zen practice emphasizes a particular
awareness of mind, and in order to do this they followed the Chinese ideal of
the recluse, someone who deliberately secludes himself deep in the mountains so
as not to be distracted by secular living and society. In creating gardens
representing landscapes the Zen monks sought to refine the expression of
landscape in a simplified form. Hence we find gardens that are pared to a
minimum of materials, rock (mountains) and raked gravel (water). The word for
landscape on Japanese is <i style="mso-bidi-font-style: normal;">sansui, </i>which
is made up of the two characters,<i style="mso-bidi-font-style: normal;"> san,</i>
mountain (</span><span lang="EN-US" style="font-family: "ms 明朝" , "serif"; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">山</span><span lang="EN-US" style="mso-ansi-language: EN-US;">) and <i style="mso-bidi-font-style: normal;">sui,
water</i> (</span><span lang="EN-US" style="font-family: "ms 明朝" , "serif"; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">水</span><span lang="EN-US" style="mso-ansi-language: EN-US;">). Paring the expression of landscape/garden to
its most basic elements draws the viewer and garden into a close embrace, the
‘garden arises’ in the mind of the person contemplating the garden.</span></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-VgSgTEo8Q28/WV6ntiwZlDI/AAAAAAAAE2o/RCPGn2AjRKoKgs7yrSuXdizHSWc4zIt_ACLcBGAs/s1600/Daisen-in%2B15.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://2.bp.blogspot.com/-VgSgTEo8Q28/WV6ntiwZlDI/AAAAAAAAE2o/RCPGn2AjRKoKgs7yrSuXdizHSWc4zIt_ACLcBGAs/s320/Daisen-in%2B15.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Daisen-in, Kyoto</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">The <i>samurai</i>
were attracted to Zen Buddhism for its directness of expression and emphasis on
action, and they encouraged the spread and establishment of Zen temples. Here a
new type of garden gained popularity, the ‘dry landscape’ or <i>karesansui</i>
garden (</span><span lang="EN-US" style="font-family: "ms 明朝" , "serif"; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">枯れ山水庭</span>)<span lang="EN-US" style="mso-ansi-language: EN-US;">, and some monks achieved great renown for
their skill in garden creation. Zen temples are composed of two parts, the
south-facing element is the ‘public’ section with the h</span>ōjō (main hall)<span lang="EN-US" style="mso-ansi-language: EN-US;"> and reception rooms, and the north
side of the temple is the ‘private’ section, where monks live and study. On the
south side of the h</span>ōjō <span lang="EN-US" style="mso-ansi-language: EN-US;">was
a courtyard, usually enclosed by a tile-topped wall, the ground level spread
with sand or gravel, which was used as a ceremonial space, known as the <i>yuniwa.</i>
It was in this space that the <i>karesansui</i> gardens so characteristic of
Zen temples were developed and may be seen today. The gardens were not created
specifically for the purpose of meditation, rather they were gardens which were
intended to reinforce the quality of sacred space associated with the temple.</span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">The 16th
century onward saw the emergence of a new style of garden, the Tea garden or <i>Cha
niwa.</i><span style="mso-bidi-font-style: italic;"> The <i>samurai</i></span>
classes were an avid proponent of tea ceremony, and with their support tea
culture was able to permeate deeply into the wider society. Not only were
artisans needed to create implements for the drinking of tea (pottery,
metalware, bamboo wares etc.) but also to build the simple, yet highly refined
tea-houses, and create the gardens. Tea culture was also linked with a
reassessment of aesthetics and this was to have an important bearing on the
creation of gardens too. <i style="mso-bidi-font-style: normal;">Cha no yu</i>
(tea ceremony) in the hands of masters such as </span>Murata Shukō (<span style="font-size: 10.0pt;">1423-1502</span>), <span lang="EN-US" style="mso-ansi-language: EN-US;">Takeno J</span>ōō (<span style="font-size: 10.0pt;">1502 - 1555</span>)<span style="mso-ansi-language: EN-US;"> </span>and Sen no Rikyū (<span style="font-size: 10.0pt;">1521-1591</span>) underwent a profound re-examination
and development of particularly Japanese aesthetic values.</span><o:p></o:p></div>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-3qaOTdBf2TU/WV6pTjHkY_I/AAAAAAAAE2w/o1R8uE-JPqUKThply06LA5F759XNSLA6ACLcBGAs/s1600/Meimei-an-1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://1.bp.blogspot.com/-3qaOTdBf2TU/WV6pTjHkY_I/AAAAAAAAE2w/o1R8uE-JPqUKThply06LA5F759XNSLA6ACLcBGAs/s320/Meimei-an-1.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Meimei-an, Matsue</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">Essentially
the Tea garden was a path (<i>roji </i></span><span lang="EN-US" style="font-family: "ms 明朝" , "serif"; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">路地</span><span lang="EN-US" style="mso-ansi-language: EN-US;">) that led to the teahouse, and became a means by which the participants
could prepare themselves for the ceremony. The garden deliberately down plays
extravagance, rocks are small (if used at all), and the planting is
predominately evergreen. Particular emphasis is placed on the layout of the
path itself, as a means of influencing the manner in which the viewer is conveyed
through the space. Such features as stepping-stones, stone water basins and
lanterns, which are now widely accepted as part of the fabric of a Japanese
garden were first used and developed in the context of the Tea garden.</span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></span>
<br />
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<span style="-webkit-font-kerning: none;"><span style="font-family: "trebuchet ms" , sans-serif;">In 1603, Tokugawa Ieyasu rose to take supreme control of Japan. In order to assert and consolidate his authority, he decreed the main administrative capital to be moved away from the strife-torn Kyoto to the small fishing village of Edo, where the Tokugawa family seat was. The feudal lords were required to spend part of the year at Edo where their activities could be monitored. In building their new homes, new gardens were to spring up.</span></span></div>
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<span style="font-kerning: none;"><span style="font-family: "trebuchet ms" , sans-serif;">For garden makers the environs of Edo held few advantages compared to the area about Kyoto, with its sheltering mountains and plentiful supply of freshwater. The land near the town (Edo), where the new estates developed was generally flat with little fresh water and few natural stones available for rock arrangements. Despite these drawbacks gardens were constructed. </span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-kerning: none;"></span><br /></span></div>
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<span style="font-kerning: none;"><span style="font-family: "trebuchet ms" , sans-serif;">One of the earliest and grandest was <i>Korakuen</i>, the construction of which was begun in 1629, on the behalf of Tokugawa Yorifusa, and was further developed and maintained by his son Mitsukuni. Eventually the garden was to cover over sixty acres. A notable feature of <i>Korakuen</i> was its depiction of notable scenic views from both Japan and China, parallels may be drawn with <i>Katsura Rikyu</i> in this regard which was constructed around the same period , and features extensive use of the interpretation of famous scenic views. Though Japan was closed to the outside world during this period, there was an influx of Chinese, including a number of scholars fleeing the downfall of the Ming government. The particular influence of Chinese and Confucian ideas at <i>Korakuen</i>, has been attributed to Chi Shun-shui , who was patronised by Mitsukuni. <i>Korakuen</i> survives today, albeit on a much reduced scale as a public park, it still retains traces of its former grandeur.</span></span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-xxklEsuSA7g/WWCYgtQVinI/AAAAAAAAE3U/4p_iEGtuoUk6wEOBpuvIKPkVL1I7WdstQCLcBGAs/s1600/images.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="181" data-original-width="278" src="https://3.bp.blogspot.com/-xxklEsuSA7g/WWCYgtQVinI/AAAAAAAAE3U/4p_iEGtuoUk6wEOBpuvIKPkVL1I7WdstQCLcBGAs/s1600/images.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Korakuen, Tokyo</td></tr>
</tbody></table>
</div>
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<span style="font-kerning: none;"><span style="font-family: "trebuchet ms" , sans-serif;">The lack of supplies of freshwater for gardens in Edo lead to innovative solutions, one source of water that was exploited was the tidal flow of water from the bay. Water was drawn into the gardens at high tide and the held in the garden lakes by elaborate system of water-gates. One garden where this was practised was at <i>Hama Rikyu</i> (the Beach Palace), originally created for Matsudaira Tsunashige, a relative of the Tokugawa family. The garden covered some ninety-six acres, the main lake being over six acres in extent, it was created beside the river, with a canal surrounding the remaining three sides. It too survives in part into the modern day as a public park.</span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-kerning: none;"></span><br /></span></div>
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<span style="font-kerning: none;"><span style="font-family: "trebuchet ms" , sans-serif;">One other garden of note from this period, also called <i>Korakuen</i> is to be found in Okayama Prefecture, some four hundred miles south of Edo (Tokyo) . Begun in 1687 by the feudal lord of Okayama, Ikeda Tsunamasa, as a stroll garden, it was further enlarged and developed by his descendants. The garden of is of an open character and featured lakes, stream courses and hills, another interesting feature of the garden was the creation of rice fields and miniature farms as part of the garden scenery. The garden held many pavilions and tea houses, the use of stonework was sparse reflecting the prevailing style of the time. Again, the garden remains to the present day as a public park, though the use of lawn areas is more extensive than in its heyday. </span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-kerning: none;"></span><br /></span></div>
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<span style="font-kerning: none;"><span style="font-family: "trebuchet ms" , sans-serif;">Of the gardens built on a smaller scale, there is a prevailing interest in the use of the <i>karesansui</i> style, and also with the use of clipped shrubs as formal elements within the garden composition. Commonly seen today as part of garden design, it was in the Edo period that the use of rounded, and flat-topped plant forms became particularly popular and widely used.</span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-kerning: none;"></span><br /></span></div>
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "trebuchet ms" , sans-serif;">
</span></span><br />
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<span style="-webkit-font-kerning: none;"><span style="font-family: "trebuchet ms" , sans-serif;">During the Edo period one sees the development of a class of professional landscape gardeners. For an art form that had for centuries occupied the attention of artists, scholars, aesthetes and priests, there came to augment them professional gardeners and nurserymen, keen to supply the demands of a developing middle class. Garden building was becoming popularised also through the publication of garden manuals, such as <i>Tsukiyama Teizoden</i>. Within a society that was rigidly controlled, and lacked free access to contact with the world outside its shores, inevitably the garden tradition begins to show a concern more with creating gardens to set formulae and patterns.</span></span></div>
<div>
<span style="font-kerning: none;"><br /></span></div>
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-URNlXAQBiYM/WV6qKx14MmI/AAAAAAAAE20/s2q9OO0brbg0FCDRHGl6Za8Axkg0bziPwCLcBGAs/s1600/Shugaku-in%2BRikyu%2B0018.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-URNlXAQBiYM/WV6qKx14MmI/AAAAAAAAE20/s2q9OO0brbg0FCDRHGl6Za8Axkg0bziPwCLcBGAs/s320/Shugaku-in%2BRikyu%2B0018.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shugakuin Rikyu, Kyoto</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"> <span lang="EN-US" style="mso-ansi-language: EN-US;">The
Imperial gardens of Katsura Detached Palace to the west of Kyoto, and Shugakuin
Rikyu (to the north east of Kyoto are outstanding examples of gardens of the
Edo period. Though relatively large in scale, the gardens incorporated
influences from Tea gardens. Katsura was created in the early 17th century is a
masterpiece of architecture and garden making and in many ways it has come to
encapsulate our contemporary notion of 'Japanese style'. There are many
landscape and poetic references woven into the composition of the garden, which
in some way gives the garden a feeling of nostalgia. As if the creators of the
garden were looking back toward the Heian period with a certain feeling of
wistfulness. Not surprisingly as Prince Hachij</span>ō <span lang="EN-US" style="mso-ansi-language: EN-US;">Toshihito (</span>1579–1629) who began the
development of the site and his son Toshitada (1619- 1662) who was responsible
for bringing the architecture and gardens to fruition, would have been aware of
the connections of the Katsura area with the Heian period, a time when nobles
had villas in the area. <span lang="EN-US" style="mso-ansi-language: EN-US;">Both
the Katsura and Shugaku-in gardens are intended to be viewed by walking around
them, and the Katsura garden in particular features several buildings that
could be used in connection with the tea ceremony.</span></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
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<o:p></o:p></div>
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-y4IK5y8OQH4/WV6qP-FHcrI/AAAAAAAAE24/CwUvABKnq8E3Wfk2pU26nUPwo7oGxGQnQCLcBGAs/s1600/_RWK8372.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1060" data-original-width="1600" height="211" src="https://4.bp.blogspot.com/-y4IK5y8OQH4/WV6qP-FHcrI/AAAAAAAAE24/CwUvABKnq8E3Wfk2pU26nUPwo7oGxGQnQCLcBGAs/s320/_RWK8372.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Katsura Rikyu, Kyoto</td></tr>
</tbody></table>
</div>
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<span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif; mso-ansi-language: EN-US;"><span style="text-align: center;">In the Edo period (1603- 1867) various pruning techniques became popular. Clipped hedges began to appear in gardens, sometimes making dominant features. Azaleas and other shrubs would be planted en masse and clipped into controlled shapes. The relative proportion of plant forms is important to maintain, as the garden composition is seen as a whole. Hence the importance of pruning skills as part of regular garden maintenance begins to emerge throughout the Edo period. Garden creators such as Kobori Enshu (1579 - 1647) created innovative gardens by this means. Evergreen plantings formed the bulk of plant species used in garden compositions, and the larger </span><i style="text-align: center;">daimyo</i><span style="text-align: center;"> (feudal lord) gardens made use of zonal planting, to emphasis the seasons. Hence areas were planted with plum and cherry trees, and even small paddy fields with rice and medicinal herb gardens could be found.</span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ot1FElzDAFk/WV6rtgAExAI/AAAAAAAAE28/nJ8gIoW-piMY3Jn3hUP1Y70Z9ADzf-DFACLcBGAs/s1600/DSCN0043.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-ot1FElzDAFk/WV6rtgAExAI/AAAAAAAAE28/nJ8gIoW-piMY3Jn3hUP1Y70Z9ADzf-DFACLcBGAs/s320/DSCN0043.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Daichi-ji, Shiga Prefecture</td></tr>
</tbody></table>
<span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;">In the
later Edo period, with the rise of a wealthy mercantile class, private gardens
began to develop. Many of these were initially of a modest size, as to be a
merchant was viewed as a low status in the <i style="mso-bidi-font-style: normal;">samurai</i>
dominated society. Isui-en in Nara, originally featured two 17<sup>th</sup>
century gardens attached to two residences, created by Kiosumi Michikyo a
wealthy tanner. The two gardens were merged in 1939 by Seki Tojiro, a Nara
businessman. Private gardens followed the patterns which were now well
established where larger gardens were a blend of stroll gardens with an
influence of tea garden elements. In residential houses the garden spaces were
often small open spaces within the architectural elements. Most Japanese houses
have a relatively narrow frontage, with open spaces retained to allow light and
air to circulate in the rooms, an important consideration in densely developed
urban areas. In these areas known as <i style="mso-bidi-font-style: normal;">tsubo
niwa</i>,<i style="mso-bidi-font-style: normal;"><span style="mso-spacerun: yes;">
</span></i></span><span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;">坪庭</span><span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;"> (<i style="mso-bidi-font-style: normal;">tsubo </i>being
a unit of measurement, 3.95 sq yd, 3.31 sq. m), a creative variety of gardens
were created, often featuring water basins, lanterns and planting.</span></div>
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-bahUAdb4O-Q/WV6sv6CvfMI/AAAAAAAAE3A/TGmwJT3XjowHYAVyve6vmcjDkwwaQoQ-QCLcBGAs/s1600/Isuien%2B07.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://4.bp.blogspot.com/-bahUAdb4O-Q/WV6sv6CvfMI/AAAAAAAAE3A/TGmwJT3XjowHYAVyve6vmcjDkwwaQoQ-QCLcBGAs/s320/Isuien%2B07.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Isui-en, Nara</td></tr>
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<span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;">By the late
19<sup>th</sup> century the feudal system collapsed after Japan was forced to
open its doors to the West. During the Meiji era (1868-1912) many things
western became in vogue in Japan, lawns for example began to appear as a
designed element of gardens, and more plant species from outside Japan were introduced.
Though on the whole the art of gardens retained a conservative attitude towards
innovation and change. In 1893 Josiah Conder (</span><span style="font-family: "trebuchet ms" , sans-serif;">1852 –1920)</span><span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;">, an English architect working in
Japan published</span><span style="font-family: "trebuchet ms" , sans-serif;"> "Landscape Gardening in Japan", the first
book on Japanese gardens published in the West. The book was to prove an important
source of information for the creation of gardens in the Japanese style that
became widely popular across Europe and the US in the wake of huge interest in
all things Japanese.</span></div>
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<span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif; mso-ansi-language: EN-US;">During the
rise of Japan as an industrial superpower many fine gardens were created for
wealthy industrialists, such as the Nomura garden in Kyoto. Some survive to the
present day, but unfortunately are rarely accessible to the public. Many of
these gardens followed on from the stroll garden concept, as garden creators
both looked back to traditional values, whilst also introducing new ideas. Ogawa
Jihei, Shigemori Mirei, and Nakane Kinsaku were the leading garden creators of
the 20th century. It is a remarkable feature of the Japanese culture that there
is an apparently seamless continuity of tradition which reveals an innate
conservatism in the culture. The garden tradition had established its norms and
conventions relatively early and maintained them with great consistency over
the years. Young trainee gardeners today still study the <i>Sakuteiki</i>, and
Kyoto remains a centre of garden culture in Japan. It also has the greatest
concentration of historic gardens, and several temples have been designated as
World Heritage sites.<o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-jG5CR3ZO1ns/WV6tALgqFUI/AAAAAAAAE3E/6zCue5EA7tQzo1ebR6eFXv0gF3a_bK_cwCLcBGAs/s1600/Zuiho-in%2B15.JPEG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-jG5CR3ZO1ns/WV6tALgqFUI/AAAAAAAAE3E/6zCue5EA7tQzo1ebR6eFXv0gF3a_bK_cwCLcBGAs/s320/Zuiho-in%2B15.JPEG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Zuiho-in, Kyoto</td></tr>
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<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "cambria"; font-size: 12.0pt;">[1]</span></span><!--[endif]--></span></span></a> <span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;">Shinto, the native
religion of Japan.</span><span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "cambria"; font-size: 12.0pt;">[2]</span></span><!--[endif]--></span></span></a> <span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;">Sakuteiki. Takei
and Keane. Tuttle 2001</span><span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "cambria"; font-size: 12.0pt;">[3]</span></span><!--[endif]--></span></span></a> <span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;">Sakuteiki, <i style="mso-bidi-font-style: normal;">ibid.</i></span><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p></o:p></span></i></div>
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Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-23969069173542404182017-06-10T22:37:00.001+01:002017-06-19T22:28:01.315+01:00Key Features of Japanese Gardens<div class="MsoListParagraph" style="mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-7wE8lh2WOXw/WTxWeaXCkZI/AAAAAAAAE1I/ziP15XGJRKYMHjPyHRLhkWsOJ_Bbihs6wCLcB/s1600/_RWK1655.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1060" data-original-width="1600" height="263" src="https://1.bp.blogspot.com/-7wE8lh2WOXw/WTxWeaXCkZI/AAAAAAAAE1I/ziP15XGJRKYMHjPyHRLhkWsOJ_Bbihs6wCLcB/s400/_RWK1655.jpg" width="400" /></a></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria; mso-hansi-font-family: Cambria;"><span style="mso-list: Ignore;"><span style="font-size: large;"><span style="font-family: "times new roman"; font-style: normal; font-weight: normal; line-height: normal;">1 1. </span></span></span></span><span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-size: large;">Evocation
of the natural landscape as source of garden models. Since the earliest times
gardens were modeled after natural scenery. At the beginning of the <i>Sakuteiki
</i><span style="mso-bidi-font-style: italic;">it is written; “ Select several
places within the property according to the shape of the land and the ponds,
and create a subtle atmosphere, reflecting again and again on one’s memories of
wild nature.”<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "cambria";">[1]</span></span><!--[endif]--></span></span></a>
The representation of natural scenery is sought in the garden in a refined and
concentrated manner, evoking an emotional response in the viewer that is
uplifting and yet calming. The garden tradition developed in an urban context
and was intended to evoke natural landscapes in close proximity to human
habitation. To this day as a garden apprentice one is told to look at the natural landscape as a source of inspiration.</span><o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-size: large;"><span style="mso-bidi-font-style: italic;"><br /></span></span></span></div>
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<!--StartFragment--><a href="https://3.bp.blogspot.com/-n-WcPuPdFq8/WTxZ4hUvFNI/AAAAAAAAE1U/7lOilnvMZMMA4N59Klz_tH6Ut-Nx9GbIACLcB/s1600/_RWK3725.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1060" data-original-width="1600" height="210" src="https://3.bp.blogspot.com/-n-WcPuPdFq8/WTxZ4hUvFNI/AAAAAAAAE1U/7lOilnvMZMMA4N59Klz_tH6Ut-Nx9GbIACLcB/s320/_RWK3725.jpg" width="320" /></a><span style="font-size: large;"><span lang="EN-US" style="font-family: "cambria";">2. Enclosure is an important element to the garden.
The garden space is framed by hedges, tree planting, or fences. The garden is a
space ‘beyond’ the everyday world, interconnected yet separate, hence the
boundary of a garden acts as a dividing line. The viewer’s attention is ‘held’
within the garden, so concentrating the experience. Connectivity with landscape
beyond the garden is achieved where possible by the carefully framing of a view
of landscape beyond the garden, thus incorporating a section of the landscape beyond
as an element of the garden composition, this is known as <i>shakkei</i>, </span><span lang="EN-US" style="font-family: "ms 明朝" , serif;">借景</span><span lang="EN-US" style="font-family: "cambria";">. </span></span></div>
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<!--[if !supportLists]--><span style="font-size: large;">-<span style="font-family: "times new roman"; line-height: normal;"> </span><span style="font-family: "times new roman"; line-height: normal;">3. </span><span lang="EN-US">Symbolism.
The use of symbolism in the garden to engage and communicate with the viewer
has been widely used for centuries. Stones and stone arrangements were
designated as representing a plethora of deities in temple gardens; in secular
gardens a <i>sanzon seki</i> </span><span lang="EN-US" style="font-family: "ms 明朝" , "serif"; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">三尊石</span><span lang="EN-US">arrangement
(a triad of three upright stones set close together, the central stone usually
representing Buddha Amida is taller than the two flanking stones) has been
often employed as a protective talisman). Turtle(</span><span lang="EN-US" style="font-family: "ms 明朝" , "serif"; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">亀石組み</span><span lang="EN-US">) and Crane(</span><span lang="EN-US" style="font-family: "ms 明朝" , "serif"; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">鶴亀石組み</span><span lang="EN-US">) stone arrangements feature in many
gardens; they invoke the concept of paradise due to their connection with an
ancient Chinese legend of paradise being a series of islands supported on the
backs of giant turtles, and cranes being the means by which people were
transported to the islands. The symbolism in gardens is often Buddhist in
origin, and provides another level of engagement with the garden.</span><o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-size: large;"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria; mso-hansi-font-family: Cambria;"><span style="mso-list: Ignore;">-<span style="font-family: "times new roman"; font-style: normal; font-weight: normal; line-height: normal;"> 4. </span></span></span><!--[endif]--></span><span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-size: large;">Nature
as a healing force. This is a foundational notion connected with gardens, and
the also seen in that gardens have always been associated with well-being. In both secular
and religious circles nature has always been viewed as the source of all life,
and people would venture into nature to seek moral and spiritual sustenance. To Buddhists such as </span><o:p></o:p></span><span style="font-family: "times" , "times new roman" , serif; font-size: large;">D</span><span style="font-family: "times" , "times new roman" , serif; font-size: large;">ōgen, the founder of the Soto Zen sect, landscape was conceived as a place where enlightenment as a transcendence of duality could be achieved. The creation of a garden calls upon the garden creator to inhabit and live out the qualities he or she is aspiring the garden to express. </span></div>
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<a href="https://2.bp.blogspot.com/-9IIpdZT0kTU/WTxZTekEXeI/AAAAAAAAE1Q/gDhnEfSAIi4T3t_lrS96aw3ChQdz5uKHgCLcB/s1600/_RWK3770.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1060" data-original-width="1600" height="263" src="https://2.bp.blogspot.com/-9IIpdZT0kTU/WTxZTekEXeI/AAAAAAAAE1Q/gDhnEfSAIi4T3t_lrS96aw3ChQdz5uKHgCLcB/s400/_RWK3770.jpg" width="400" /></a></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-size: large;"><i> "Mountains and water are the actualisation of the ancient Buddhas. Each abiding in its phenomenal expression realises completeness. Because mountains and </i></span></span><span style="font-size: large;"><i>water have been active since before the Empty Eon, they are alive at this moment. Because they have been the self since before form arose they are emancipation-realization. Because mountains are high and broad, the way of riding the clouds is always reached in the mountains; the inconceivable power of soaring in the wind comes freely in the mountains."</i> </span><span style="font-family: "times" , "times new roman" , serif; font-size: large;">Dōgen Zenji 1200-1253</span></div>
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<span style="color: white; font-family: "cambria"; font-size: 31pt; text-indent: -18pt;"> </span><span style="color: white; font-family: "cambria"; font-size: 31pt; text-indent: -18pt;">道元禅師</span><span style="color: white; font-family: "cambria"; font-size: 31pt; text-indent: -18pt;"> 1200-1253</span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "cambria"; font-size: 12.0pt;">[1]</span></span><!--[endif]--></span></span></a> <span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;">Sakuteiki, <i style="mso-bidi-font-style: normal;">ibid.</i></span><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p></o:p></span></i></div>
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Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-86621892381050666792017-05-29T08:52:00.000+01:002017-05-29T21:33:43.403+01:00New Paths Home<div class="MsoNormal">
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<span style="font-family: "trebuchet ms" , sans-serif;">Such force<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">To twist the inner out<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">As the cycle begins once more.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
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<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-aqIzf5-ZB-Y/WSvSb0yrxUI/AAAAAAAAE04/NRl7pgr0tjsWU6vN11xKY6I6BvQEiMJSACLcB/s1600/_RWK3764.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1060" height="320" src="https://2.bp.blogspot.com/-aqIzf5-ZB-Y/WSvSb0yrxUI/AAAAAAAAE04/NRl7pgr0tjsWU6vN11xKY6I6BvQEiMJSACLcB/s320/_RWK3764.jpg" width="211" /></a></div>
<br /></div>
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<div class="MsoNormal">
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<span style="font-family: "trebuchet ms" , sans-serif;">Now there are live roots<o:p></o:p></span></div>
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<div class="MsoNormal">
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<span style="font-family: "trebuchet ms" , sans-serif;">Seeking passage through earth<o:p></o:p></span></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Drawing up sustenance and stability.<o:p></o:p></span></div>
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<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Breathing in awareness<o:p></o:p></span></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Breathing out presence,<o:p></o:p></span></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">As energy follows intention.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
</div>
<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://4.bp.blogspot.com/-4DAXRVt1xxg/WSvRpbh9tTI/AAAAAAAAE0o/hw-1a6maP9wEenB8-bQqT4Dx8ESHzaVUgCK4B/s1600/_RWK3416.jpg" imageanchor="1"><img border="0" height="320" src="https://4.bp.blogspot.com/-4DAXRVt1xxg/WSvRpbh9tTI/AAAAAAAAE0o/hw-1a6maP9wEenB8-bQqT4Dx8ESHzaVUgCK4B/s320/_RWK3416.jpg" width="212" /></a></span><br />
<br /></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Truth<o:p></o:p></span></div>
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<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Is the dance of polarities<o:p></o:p></span></div>
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<div class="MsoNormal">
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<span style="font-family: "trebuchet ms" , sans-serif;">Never settling in one place.<o:p></o:p></span></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">This gift for now,<o:p></o:p></span></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Cowslips and Wood Anemone<o:p></o:p></span></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "trebuchet ms" , sans-serif;">As wind rustles the branches,<o:p></o:p></span></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Across the valley<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The wooded flank spring silvered.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Awake.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
</div>
<div class="MsoNormal">
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-rFdB-S6xOV0/WSvSWm1dKwI/AAAAAAAAE00/3nfQzvHoBSENxKz3WNM28LSOmc_ovDO_ACLcB/s1600/_RWK3782.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1060" height="320" src="https://3.bp.blogspot.com/-rFdB-S6xOV0/WSvSWm1dKwI/AAAAAAAAE00/3nfQzvHoBSENxKz3WNM28LSOmc_ovDO_ACLcB/s320/_RWK3782.jpg" width="211" /></a></div>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Desire that binds<o:p></o:p></span></div>
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<div class="MsoNormal">
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<span style="font-family: "trebuchet ms" , sans-serif;">Drawing in body and mind<o:p></o:p></span></div>
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<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Tendrils of love</span><br />
<span style="font-family: 'trebuchet ms', sans-serif;">Searching blindly at times.</span></div>
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<div class="MsoNormal">
<div style="text-align: center;">
<o:p></o:p></div>
</div>
Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-51757860465258912492016-09-22T17:55:00.001+01:002016-09-24T09:49:30.091+01:00The Warp and Weft<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-QJrE3S5lp8I/V-QLjweg7iI/AAAAAAAAEyo/KWioGf66YlEZ9WC3s4QCV4qFHUUNibnGQCLcB/s1600/_RWK3397.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-QJrE3S5lp8I/V-QLjweg7iI/AAAAAAAAEyo/KWioGf66YlEZ9WC3s4QCV4qFHUUNibnGQCLcB/s320/_RWK3397.jpg" width="211" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<o:p><span style="font-family: "trebuchet ms" , sans-serif;"> </span></o:p><span style="font-family: "trebuchet ms" , sans-serif;"> </span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Being shown the path<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">As mirrored reflections,<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Crossing lines<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Taking my own way.<o:p></o:p></span></div>
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<o:p><span style="font-family: "trebuchet ms" , sans-serif;"> </span></o:p><span style="font-family: "trebuchet ms" , sans-serif;"> </span></div>
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<o:p><span style="font-family: "trebuchet ms" , sans-serif;"></span></o:p></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://1.bp.blogspot.com/-SssXIVAFfBM/V-QMD3gYDqI/AAAAAAAAEy0/DGcb7AI4oTETgWg5a8Z7BGXbqBNXfjc_wCLcB/s1600/_RWK3558.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="https://1.bp.blogspot.com/-SssXIVAFfBM/V-QMD3gYDqI/AAAAAAAAEy0/DGcb7AI4oTETgWg5a8Z7BGXbqBNXfjc_wCLcB/s320/_RWK3558.jpg" width="320" /></a></span></div>
<br />
<br />
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Finding byways through<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Unconscious patterns<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">Weaving lines<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Being warp & weft.<o:p></o:p></span></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-g6HFBgaeUOo/V-QLucnSnBI/AAAAAAAAEys/P6gnUW3gDyA-Y8ixgFNqKZKk-xK4hrDdQCLcB/s1600/_RWK3336.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-g6HFBgaeUOo/V-QLucnSnBI/AAAAAAAAEys/P6gnUW3gDyA-Y8ixgFNqKZKk-xK4hrDdQCLcB/s320/_RWK3336.jpg" width="211" /></a></div>
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<br /></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Evening<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Coloured by the calling of owls,<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Light<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Withdrawing into the sky,<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Summer<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">At the cusp of transformation.<o:p></o:p></span></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
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<span style="font-family: "trebuchet ms" , sans-serif;">So we slip<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">To the point of change<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">As if we too the gathering cool air<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Flowing through<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The darkening bracken.</span><o:p></o:p></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-HrfTjxrsQ-o/V-QL9WR6CGI/AAAAAAAAEyw/q1qg-ixBuigofkHqqzpnOMl4LCzYiuokwCLcB/s1600/IMG_0740.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://4.bp.blogspot.com/-HrfTjxrsQ-o/V-QL9WR6CGI/AAAAAAAAEyw/q1qg-ixBuigofkHqqzpnOMl4LCzYiuokwCLcB/s320/IMG_0740.jpg" width="320" /></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Beneath the earth<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Comes renewal of form.</span></div>
Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-64861942839850991772016-08-16T21:10:00.002+01:002016-08-17T10:41:34.624+01:00The Gardener's Apprentice. A novel<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "trebuchet ms" , sans-serif;">The Gardener's Apprentice</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">After many a year of writing, rewriting, abandonment in a sea of despair and doubt... Finally I have managed to finish a novel. And now it's available as a Kindle download through Amazon Bookstore! A real labour of love! Well, it's out there in the wide world now. Look up 'The Gardener's Apprentice' or search for Robert Ketchell on Amazon.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">The novel concerns a young boy Shigoto Okugi who becomes an
apprentice to a master gardener. It is set in Japan of the late 16<sup>th</sup>
century, and the action takes place on an island that is the feudal home to the
Saeko clan. Shigoto’s teacher is a Zen monk (Maguro Sensei) who wishes to
transmit to his apprentice the cultural and spiritual values inherent in the
garden tradition in Japan. <o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Shigoto’s mother, Oyadori, is a maidservant to the wife of
the head of the Saeko clan. She becomes pregnant by a brother of the Emperor
who is exiled to island. Oyadori had been chosen to be the wife of Kanyu
Shigoto a minor official of Lord Saeko. Discovering the pregnancy the
prospective husband’s family plan to cancel any further involvement, until
Kanyu persuades his father that their family may benefit by proceeding with the
marriage plans and accepting the child as his own. <o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">As Shigoto’s interest in gardening develops through the
tutelage of his teacher, he realises that it offers much more than a simple
path of employment. What is being offered to him is a creative and spiritual
vocation. His teacher is an enigmatic character with apparently supernatural
powers and is capable of profound insights. Shigoto overhears his father
plotting a coup with a son of Lord Saeko, a suspicion that he keeps to himself.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The story reaches a climax with a coup attempt during
which Shigoto is severely injured trying to protect his mother and grandmother
at their home. His teacher nurses him back to health, but Shigoto’s name has
been irrevocably tainted by the traitorous actions of Kanyu, and Maguro Sensei
arranges for Shigoto to secretly leave the life he has known and his island
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<span style="font-family: "trebuchet ms" , sans-serif;">Please give it a try, if you enjoyed it, or even if not, then write a review, tell all your friends, and then hang on for the sequel which I am writing now. The sequel picks up the story from where 'The Gardener's Apprentice' ends, and takes the hero on his journey to Kyoto at the beginning of the Edo period. Hopefully that will be out next year. Enjoy!</span></div>
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Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-21918727654122431852016-08-03T18:22:00.002+01:002016-08-03T18:22:32.401+01:00The Cry of the Earth<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Trebuchet MS, sans-serif;">A bird came and spoke to me<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">With words beyond hearing<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Yet I sensed its mythic story,<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">As all beings are connected<o:p></o:p></span></div>
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<span style="font-size: 12pt;"><span style="font-family: Trebuchet MS, sans-serif;">However thin threads may wear.</span></span><!--EndFragment--></div>
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<span style="font-size: 12pt;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-sMgDYKgJQdc/V6Ij-GRs2FI/AAAAAAAAExQ/vpupxdszdg8eHLrgkk3GsYYkTuAu90DAACLcB/s1600/_RWK3334.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-sMgDYKgJQdc/V6Ij-GRs2FI/AAAAAAAAExQ/vpupxdszdg8eHLrgkk3GsYYkTuAu90DAACLcB/s320/_RWK3334.jpg" width="211" /></a></div>
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<span style="font-family: Trebuchet MS, sans-serif;">As shadows lengthen<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">So where lies hope<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Prayers for the children,<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Not in this world just now<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Perhaps in the wind<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Blowing through trees <o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Across the skin of the ocean,<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Are we any closer to awakening<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Or still living in sour dreamtime?<o:p></o:p></span></div>
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<br /></div>
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<a href="https://4.bp.blogspot.com/-NysrCVl2hQA/V6IkFsj6vSI/AAAAAAAAExU/x3dVwdzU900c3cypGX0EdSOQd5ezeNB4ACLcB/s1600/_RWK3415.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://4.bp.blogspot.com/-NysrCVl2hQA/V6IkFsj6vSI/AAAAAAAAExU/x3dVwdzU900c3cypGX0EdSOQd5ezeNB4ACLcB/s320/_RWK3415.jpg" width="211" /></a></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-qC9mSf4Pbww/V6Ik2U1J75I/AAAAAAAAExg/q73mglrBq6c-CDnCmeUc16FXiNYVU_FhwCLcB/s1600/_RWK3476.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="https://2.bp.blogspot.com/-qC9mSf4Pbww/V6Ik2U1J75I/AAAAAAAAExg/q73mglrBq6c-CDnCmeUc16FXiNYVU_FhwCLcB/s320/_RWK3476.jpg" width="320" /></a></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Beneath the sky<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">A tumble of stone smeared across the hills glowing silver<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Between the folds<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif;">A gathering of the westward driven rain pooled mysterious
deep<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif;">Beneath the surface<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">A layering of history over geology the mysteries of human purpose.</span><o:p></o:p></div>
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<span style="font-family: Trebuchet MS, sans-serif;">In the peat stained water trout dart,<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Waiting to hear the cry of the earth.</span><o:p></o:p></div>
Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-76671214494362748412016-07-01T19:56:00.001+01:002016-07-02T09:26:10.740+01:00Recent works<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-1ql0JiBvE3o/V3axLj7a_2I/AAAAAAAAEv8/bjPbE9YmgxofDhr4CMT48G3ytonPiv5KQCLcB/s1600/_RWK3322.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://1.bp.blogspot.com/-1ql0JiBvE3o/V3axLj7a_2I/AAAAAAAAEv8/bjPbE9YmgxofDhr4CMT48G3ytonPiv5KQCLcB/s320/_RWK3322.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Central arrangement of dry garden, Warwickshire, England</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;"> More and more as I work to create gardens do I realise what a privilege it is to have the opportunity to devote oneself to manifesting Beauty. Having trained in traditional gardens in Japan in the early 1980's it was my goal to find a way of integrating what I learned into other cultures. Instinct told me the fundamental principles were universal truths. There could with the right application be found ways of integrating these ideas in places outside of Japan. Not necessarily to copy what was done in Japan, but to embody those principles and blend them with the local culture.</span><br />
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-hPa0ySOeXB4/V3axRM1kqZI/AAAAAAAAEwA/BhoFNwPZBEchoCMG0aJbI5RdkyahQuWtgCLcB/s1600/_RWK3325.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://4.bp.blogspot.com/-hPa0ySOeXB4/V3axRM1kqZI/AAAAAAAAEwA/BhoFNwPZBEchoCMG0aJbI5RdkyahQuWtgCLcB/s320/_RWK3325.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dry garden, Warwickshire, England</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;"> In this garden, still not quite finished! The planting is 'non-Japanese', that is the plant palette I chose are not plants normally used in the gardens I visit in Japan. But then the outlook is not Japan either. The garden overlooks the greater part of the garden area which is full of shrubs and herbaceous planting familiar in England. Beyond the confines of the garden is a grass paddock with horses grazing, and beyond the paddock hedgerow trees of oak, sycamore, hazel and hawthorn, beyond that the infinity of the sky. I saw the location as a series of layers which could be viewed as a whole from inside the home. In Japan they will often use a narrowly defined range of plants. Here in this garden Thyme 'Doone Valley' and Sagina subulata ('Irish Moss') was used to create sweeps of low ground cover textural planting. To segregate the dry landscape garden from its more English cousin, a low hedge of Escallonia 'Donard's Seedling' has been planted. The garden is very young and will take a season or two for the ground cover to grow into a continuous carpet.</span><br />
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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-5VHJDAw_NsA/V3aw0Oi4EjI/AAAAAAAAEv4/TsqMePILra4mYaM-6nKNyckzBTVNAIHngCLcB/s1600/IMG_0316.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://3.bp.blogspot.com/-5VHJDAw_NsA/V3aw0Oi4EjI/AAAAAAAAEv4/TsqMePILra4mYaM-6nKNyckzBTVNAIHngCLcB/s320/IMG_0316.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Garden in an orchard, Kent, England</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">To create gardens that have a quality of peaceful harmony there needs to be a fusion of the garden creator with the space and the materials. The garden creator is really an orchestrator or a conductor bringing different materials together in space. In this particular garden there are a number of very old cherry trees. They once formed an orchard, but have long been undisturbed except by the birds that enjoy the fruit.</span><br />
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-0IGl-Daqx0s/V3axZLMxxKI/AAAAAAAAEwI/yyJKCmswrWUS4tvtFyHKYwa0YF86F66VwCLcB/s1600/IMG_0327.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://4.bp.blogspot.com/-0IGl-Daqx0s/V3axZLMxxKI/AAAAAAAAEwI/yyJKCmswrWUS4tvtFyHKYwa0YF86F66VwCLcB/s320/IMG_0327.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Stream between ancient cherry trees. Kent, England</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">A stream now winds its way among the trees, three ponds allow the water to gather before moving on. A variety of treatments to the streams creates a range of sounds that a visitor will discover as they walk through the garden. There are no defined paths so everyone can find their own way through the space.</span><br />
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-RMRzyd7rSsE/V3axhViWwhI/AAAAAAAAEwM/fayz0GsXhL0HbfMKKcj2mTCxjBwzSZJ5gCLcB/s1600/IMG_0339.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://1.bp.blogspot.com/-RMRzyd7rSsE/V3axhViWwhI/AAAAAAAAEwM/fayz0GsXhL0HbfMKKcj2mTCxjBwzSZJ5gCLcB/s320/IMG_0339.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Moon gate opening to pavilion. Kent, England</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">Having walked down through the garden, perhaps for some of the way having followed the stream, the visitor has to walk around the pavilion to find a way to enter. Rising up a series of steps built out of very large slabs of stone, the 'Moon gate' opening frames a view back up the garden.</span> <span style="font-family: "trebuchet ms" , sans-serif;">A pavilion is a destination, but also a place to rest. A place to gather one's thoughts and experiences, to allow them to become embodied.</span><span style="font-family: "trebuchet ms" , sans-serif;"> The architecture defines a view, focuses a way of seeing again something that has already been experienced, and in this way revealing the garden in a new way. Hide and reveal, opening and closing, ever being drawn on to discover anew.</span><br />
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-eVSs87gC0fQ/V3ax06S8DdI/AAAAAAAAEwU/i988i0BQz1ETk_mZN2gqO5efG5t5y1PmACLcB/s1600/IMG_0345.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://4.bp.blogspot.com/-eVSs87gC0fQ/V3ax06S8DdI/AAAAAAAAEwU/i988i0BQz1ETk_mZN2gqO5efG5t5y1PmACLcB/s320/IMG_0345.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Leaf shaped roof of pavilion. Kent, England</td></tr>
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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-CtRid21BNZo/V3ayO5tCDVI/AAAAAAAAEwg/4is4hUXRNXkCIvc5wZLNR3iVcg47vjzNgCLcB/s1600/_RWK2660.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://3.bp.blogspot.com/-CtRid21BNZo/V3ayO5tCDVI/AAAAAAAAEwg/4is4hUXRNXkCIvc5wZLNR3iVcg47vjzNgCLcB/s320/_RWK2660.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Water garden. Gloucestershire, England</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">This garden actually contains four ponds and two streams. the landscape element of the work took nearly a year to complete. It transformed of what was a large grass slope into a stroll garden. Yet to be completed are two buildings, one will be a tea house that will sit out over the largest of the ponds, and the other will be a covered seat in a contemporary style. The covered seat will also act as a focal point in the far distance for the view across the garden from the tea house.</span><br />
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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-uSh7eqiwjk4/V3ayS3wjXnI/AAAAAAAAEwk/PmDqzZY_jTYFZuPFfqnW2KlwsU_FjIU4ACLcB/s1600/_RWK2661.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://3.bp.blogspot.com/-uSh7eqiwjk4/V3ayS3wjXnI/AAAAAAAAEwk/PmDqzZY_jTYFZuPFfqnW2KlwsU_FjIU4ACLcB/s320/_RWK2661.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Water garden..Gloustershire, England</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">In this garden the planting chosen has been carefully considered to develop as a series of flowing shapes that drift across the site. The plantings are mainly Buxus (English Box) and Prunus laureoceracus (small leaved laurel), both can be pruned and clipped into low mounds. Over 100 tons of boulders (the largest of which weighed over 6 tons) were carefully selected and placed in the composition. There is an interesting contrast in feeling between the soft fluid shapes of the plantings and the rounded forms of the boulders. The impact of the stones is immediate, the planting will take a few years to fill out and will require tender care to guide them and then maintain them into the forms that the garden asks for.</span><br />
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-jTHg_1lRucI/V3ayfRAoFeI/AAAAAAAAEwo/AbzR-xR8et4lnM7H6ALSM1woBN2dxbiMwCLcB/s1600/_RWK2675.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://2.bp.blogspot.com/-jTHg_1lRucI/V3ayfRAoFeI/AAAAAAAAEwo/AbzR-xR8et4lnM7H6ALSM1woBN2dxbiMwCLcB/s320/_RWK2675.jpg" width="211" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Arrangement of large boulders. Gloucestershire, England</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">So often it becomes apparent how close the creation of a garden and the creation of music is. In both arts the composer is working with patterns of energy. Rocks have their individual energy, as do plants, as do notes. Everything vibrates to its own song. The task of the garden creator and the composer is the same, to draw the different patterns into a harmonious whole. What is also important for the garden creator is to embody the qualities he or she desires to project through the garden. It is this energy flow that the viewer of the garden interacts with, absorbs through experience of what is felt. Beyond music the garden invokes the qualities of time, change and the seasons, even from day to day change happens, from one moment to the next.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-41014177055997549502016-05-31T12:33:00.006+01:002016-06-01T17:34:43.498+01:00 Castle Rigg Stone Circle<iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/266752772&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Immemorial wisdom of the stones<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Soft as a lover’s skin<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Brilliant lemon-yellow lichen constellations<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Scattered over your flanks.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Here at the centre the landscape womb<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">This point of transformation<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Gateway between liminal and subliminal,<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The awakened dream reforms eye bright.</span><o:p></o:p></div>
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<a href="https://1.bp.blogspot.com/-aTlVU4YYwqg/V0114g5aJfI/AAAAAAAAEvU/UexWEkoAyPAo7edmPIV3NrrfCmdH25PzgCLcB/s1600/_RWK0326.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-aTlVU4YYwqg/V0114g5aJfI/AAAAAAAAEvU/UexWEkoAyPAo7edmPIV3NrrfCmdH25PzgCLcB/s320/_RWK0326.jpg" width="211" /></a></div>
<br />Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-31950445214894117032016-05-19T22:46:00.000+01:002016-05-20T09:33:15.316+01:00Yūgen and the Japanese Garden<div class="MsoNormal">
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<span lang="EN-US" style="font-family: "ms 明朝"; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">幽玄</span><span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<a href="https://4.bp.blogspot.com/-pwLZNwcqvGY/Vz4qPboab2I/AAAAAAAAEug/t_BY-isnh5o7t49AH86f0uUir6BbClKjwCLcB/s1600/_RWK1655.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="https://4.bp.blogspot.com/-pwLZNwcqvGY/Vz4qPboab2I/AAAAAAAAEug/t_BY-isnh5o7t49AH86f0uUir6BbClKjwCLcB/s320/_RWK1655.jpg" width="320" /></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "trebuchet ms" , sans-serif;">The
Japanese aesthetic language is full of terms that have no direct translation
into English, </span><span style="mso-bidi-font-style: normal;"><span style="font-family: "trebuchet ms" , sans-serif;"><i>wabi</i></span><span style="font-family: "trebuchet ms" , sans-serif;">, </span></span><i style="font-family: 'trebuchet ms', sans-serif;">sabi</i><span style="font-family: "trebuchet ms" , sans-serif;">,</span><i style="font-family: 'trebuchet ms', sans-serif;"> iki </i><span style="font-family: "trebuchet ms" , sans-serif;">and</span><i style="font-family: 'trebuchet ms', sans-serif;"> f</i></span><i style="font-family: 'trebuchet ms', sans-serif;">ūryū</i><span style="font-family: "trebuchet ms" , sans-serif;"> are just a small sample. </span><i style="font-family: 'trebuchet ms', sans-serif;">Yūgen</i><span style="font-family: "trebuchet ms" , sans-serif;"> is another such term, which is
also one that we (both Japanese and non-Japanese) can encounter at first hand
when we experience a Japanese garden.</span><span style="font-family: "trebuchet ms" , sans-serif;"> </span><span style="font-family: "trebuchet ms" , sans-serif;">Though we should be aware to
capture such terms in the mind is to try and catch fish with our bare hands or
with a basket that has no base. They refuse to be simply pinned down by words
and rolled neatly into easily graspable concepts. </span><span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;"><o:p></o:p></span></span></div>
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<br /></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-xCi1sCArfHw/Vz4pnNpW8bI/AAAAAAAAEuU/bllCJOS5sk4PVM8ExsvRCnQ0cLusGVmMACLcB/s1600/Ryoan-ji%2B3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://4.bp.blogspot.com/-xCi1sCArfHw/Vz4pnNpW8bI/AAAAAAAAEuU/bllCJOS5sk4PVM8ExsvRCnQ0cLusGVmMACLcB/s320/Ryoan-ji%2B3.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ryoan-ji, Kyoto</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<span style="font-family: "trebuchet ms" , sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">If we
search for dictionary definitions of </span><i style="mso-bidi-font-style: normal;">yūgen</i><span lang="EN-US" style="mso-ansi-language: EN-US;">, there are many: ‘subtle grace,
hidden beauty, mysterious profundity, elegant simplicity, the subtle and
profound, rich and mysterious beauty.’ </span><i style="mso-bidi-font-style: normal;">Yūgen</i> can be all these ideas, and yet like the proverbial fish it’s
a slippery beast to pin down. The term is usually associated with <i style="mso-bidi-font-style: normal;">Noh</i> drama, and is associated with the
expression of a quality that an actor expresses through movement and tone.
Arthur Waley referred to <i style="mso-bidi-font-style: normal;">yūgen</i> as ‘what
lies beneath the surface.’ The elusiveness springs from the fact we are dealing
with an emotional response that arises in the heart of the one experiencing,
rather than directly in the mind. We recognise <i style="mso-bidi-font-style: normal;">yūgen</i> as the beginning of an unfolding of an emotional response,
rather than a concrete manifestation of an action.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"></span></div>
<br />
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">In the garden <i style="mso-bidi-font-style: normal;">yūgen</i>
arises as part of our emotional response to the scene before us, it is that
which holds us there, caught by the desire to remain in the spell we have
entered into. A garden such as the dry landscape garden at Ryōan-ji is an
example of <i style="mso-bidi-font-style: normal;">yūgen,</i> most who have sat
and contemplated the scene recognise the quality even if they may not apply the
term. The garden <i style="mso-bidi-font-style: normal;">is</i> mysterious; it
offers us no obvious clue as to how we are to engage with it.<span style="mso-spacerun: yes;"> </span>Yet we are aware we have left convention
behind. The garden space is complete in itself, only requiring the presence of
the viewer to be the experiencer. Bounded with the space is a self-contained
universe, where change is subtle and movement shrouded by stillness. Think of
the mysterious interplay of light and shade, of time passing yet seemingly
being held in quietude. The primary elements of the garden (the stones and
their relationships to one another) do not alter, it is us who alters and
changes.<o:p></o:p></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-21xdZ5MHkUo/Vz4psJClzFI/AAAAAAAAEuY/RZOHjKRUCMY1DLcjvx6is_oKoumxiba6wCLcB/s1600/Ryoan-ji%2B44.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://2.bp.blogspot.com/-21xdZ5MHkUo/Vz4psJClzFI/AAAAAAAAEuY/RZOHjKRUCMY1DLcjvx6is_oKoumxiba6wCLcB/s320/Ryoan-ji%2B44.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ryoan-ji, Kyoto</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;">Part of the difficulty of a definition of </span><i style="font-family: 'trebuchet ms', sans-serif;">yūgen</i><span style="font-family: "trebuchet ms" , sans-serif;"> arises from this notion that it is
a state of being that is transformative and not at all fixed in any way. It
seems its very intangibility is at least in part because at the moment where we recognise it, it arises from a notion that is a state of being that is esentially transformative and not fixed. It seems its very elusiveness may at least in
part be because the moment when we cognitively become aware of</span><i style="font-family: 'trebuchet ms', sans-serif;"> yūgen</i><span style="font-family: "trebuchet ms" , sans-serif;"> in some way it has already
passed, moved on to become something other, an idea or a thought. It is the
same as we hear and recognise a note of music the sound has already passed.</span></div>
<div class="MsoNormal">
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<br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Thus <i style="mso-bidi-font-style: normal;">yūgen </i>lies in
the realm of suggestion, of the unformed, it posits a direction or place we may
move toward. I would suggest <i style="mso-bidi-font-style: normal;">yūgen </i>is
not found in the full bloom of the cherry trees so beloved by the Japanese, or
in the fiery blaze of autumnal colours of maple trees in autumn. Rather it is
revealed in the buds of the cherry before they open fully, or perhaps in autumn
colour momentarily reflected from some unlikely source. It is a quality veiled
by a certain sense of mystery, contained in that which is fleeting, ephemeral and not
obvious. </span><o:p></o:p></div>
</div>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-aXglwffS1Zg/Vz4rFkwJLHI/AAAAAAAAEu0/Uasem_OML4oUoVf85Umg0RSLCF7HFJNagCLcB/s1600/_RWK2837.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://1.bp.blogspot.com/-aXglwffS1Zg/Vz4rFkwJLHI/AAAAAAAAEu0/Uasem_OML4oUoVf85Umg0RSLCF7HFJNagCLcB/s320/_RWK2837.jpg" width="211" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Matsuo Taisha shrine, Kyoto</td></tr>
</tbody></table>
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<span style="font-family: "trebuchet ms" , sans-serif;">Any opinion on <i style="mso-bidi-font-style: normal;">yūgen</i>
is bound to be ultimately subjective, which is also what makes it interesting.
For myself, the hillside stone arrangement at Matsuo Taisha shrine created by Shigemori
Mirei towards the end of his life has this quality. It is powerful and deeply
‘mysterious’, modern in some ways perhaps but it also exudes a sense of the ancient. The
hand of the creator is entirely hidden, yet one also senses an underlying order
or logic to the stone placements. There is a freedom from the intellect. Idea
does not dominate the scene, this is the work of someone drawing up water from
a deep, dark wellspring. Much of Shigemori’s earlier work does seem to be
dominated by a conscious intent to ‘create something’, to give the viewer an
idea or symbolic content to relate to. In contrast to the arrangement at Matsuo
Taisha, the <i style="mso-bidi-font-style: normal;">karesansui</i> garden at
Raikyū-ji in Bitchu Takahasi (Okayama Prefecture) feels mannered and lacking in
a certain subtlety. This garden was created around the early part of the 17<sup>th</sup>
century and is attributed to Kobori Enshu. It is not to say the garden lacks
beauty and repose, it has both those qualities, but on viewing the garden we
are aware of what Enshu is representing in the garden scenery, namely the
Crane and Turtle motifs. Where the garden scenery moves us too quickly towards
an idea then we become fixed on the idea, and see and respond to the garden
through the prism of idea, and less through the medium of pure feeling.</span></div>
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-jXhXh3y810w/Vz4rOKGr6eI/AAAAAAAAEu8/G80DDc_9oak7xbntE-OL2NnpyfgYp27vACLcB/s1600/_RWK2320.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://2.bp.blogspot.com/-jXhXh3y810w/Vz4rOKGr6eI/AAAAAAAAEu8/G80DDc_9oak7xbntE-OL2NnpyfgYp27vACLcB/s320/_RWK2320.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Raikyu-ji, Okayama prefecture</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">Zeami Motokiyo</span><span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;">世阿弥</span><span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;"> </span><span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;">元清</span><span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;"> </span><span style="font-family: "trebuchet ms" , sans-serif;">(c.1363
– 1443), often cited as the originator of </span><i style="font-family: 'trebuchet ms', sans-serif;">Noh</i><span style="font-family: "trebuchet ms" , sans-serif;">
drama, also wrote on aesthetics, and he described </span><i style="font-family: 'trebuchet ms', sans-serif;">yūgen</i><span style="font-family: "trebuchet ms" , sans-serif;"> as ‘contemplating the flight of geese seen and lost among the
clouds’. This reveals another aspect to aesthetics in Japan in general in that
a quality also can be said to contain an element of wistfulness, or perhaps a
longing for the concrete. But as we have noted above </span><i style="font-family: 'trebuchet ms', sans-serif;">yūgen </i><span style="font-family: "trebuchet ms" , sans-serif;">implies change and movement, emotionally we might well wish
for things to remain as they are, but the very essence of being alive is that
things are in a constant process of change and development. A garden
exemplifies this process of transformation; it is one of the very qualities
that snags our attention, and draws us into awareness. The Japanese garden is
capable of a highly refined expression of this mysterious process, change
within seemingly changelessness.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
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<o:p></o:p></div>
Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-63426619824494085072016-05-17T16:41:00.000+01:002016-05-18T19:07:36.475+01:00Sleight of Hand<div class="MsoNormal" style="text-align: center;">
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<a href="https://3.bp.blogspot.com/-OXskyMfXBq8/Vzs4t-XygFI/AAAAAAAAEtg/WAWjHURFx6IJPCttgMOYyfvzsM4PikNuwCLcB/s1600/_RWK3239.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-OXskyMfXBq8/Vzs4t-XygFI/AAAAAAAAEtg/WAWjHURFx6IJPCttgMOYyfvzsM4PikNuwCLcB/s320/_RWK3239.jpg" width="211" /></a></div>
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
Through ancient woodland</div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">With its call of time past<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Echoing the woodpecker.</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
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<a href="https://2.bp.blogspot.com/-xg3_C7gihUI/VzyvTvPH6aI/AAAAAAAAEuE/bFIkZ08K4C80dS8TyNUBhhECwH3204qnQCLcB/s1600/_RWK3272.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-xg3_C7gihUI/VzyvTvPH6aI/AAAAAAAAEuE/bFIkZ08K4C80dS8TyNUBhhECwH3204qnQCLcB/s320/_RWK3272.jpg" width="211" /></a></div>
<div style="text-align: center;">
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<span lang="EN-US" style="mso-ansi-language: EN-US;">It’s almost sleight of hand<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">This profusion of spring<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">And now the pasture<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Carpeted with buttercups too. <o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Along this scarce trodden path<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Wild orchids,<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Sentinels of this moment.<o:p></o:p></span></div>
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<br /></div>
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<a href="https://3.bp.blogspot.com/-nIhRzZAp5GU/Vzs4smzzwcI/AAAAAAAAEtc/TIGpW_OkV5sbYkBdwFognkTj1zNqyuw6gCLcB/s1600/_RWK3263.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-nIhRzZAp5GU/Vzs4smzzwcI/AAAAAAAAEtc/TIGpW_OkV5sbYkBdwFognkTj1zNqyuw6gCLcB/s320/_RWK3263.jpg" width="211" /></a></div>
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<span style="text-align: center;">Folded into the forms of land</span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Time smoothed yet never stilled,<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">The last of the bluebells<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Glow soft in the shadows.<o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
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<span style="text-align: center;">Pin pricks of light</span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">A firmament distilled<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">This shower of space dust<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Falling here and now</span><br />
This moment this place.<br />
<br /></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Slip now any tenuous grip <o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Let go the trembling reeds<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Step from the mud of the shallows,<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Into the light gathering form,<o:p></o:p></span></div>
<div style="text-align: center;">
So to dream on and on.</div>
Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-51339764737240599602016-05-06T19:06:00.001+01:002016-05-06T19:06:26.111+01:00Bridges - book project<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-DDugxnyQYXk/VyzcL_e4crI/AAAAAAAAEtA/qaC5Lj2H2wAY4aZsAHJ5BMlVEfkN3n5qACLcB/s1600/a8e149f20e404f01bc81da9eb0d13791.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-DDugxnyQYXk/VyzcL_e4crI/AAAAAAAAEtA/qaC5Lj2H2wAY4aZsAHJ5BMlVEfkN3n5qACLcB/s320/a8e149f20e404f01bc81da9eb0d13791.jpg" width="214" /></a></div>
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I was very pleased to be a part of the Bridges project, a book conceived and produced by Suzanne Perrin and Jeremy Hoare. It is out in print now.<br />
<br />
Here is a taster link to a promotional clip on You Tube: <a href="https://youtu.be/Jgd9eqoIaeI" style="font-family: Arial, sans-serif; font-size: 13px;" target="_blank">https://youtu.be/Jgd9eqoIaeI</a><br />
<br />
And on Vimeo: <a href="https://vimeo.com/165331881" style="font-family: Arial, sans-serif; font-size: 13px;" target="_blank">https://vimeo.com/16533188</a><br />
<br />
<table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; color: black; font-family: Cambria; font-size: 18px; width: 100%px;"><tbody>
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<span style="font-size: 14px;"><span style="font-family: georgia, serif;">The <em>Bridges </em>book project was conceived by Jeremy Hoare after attending a book launch at Daiwa Foundation Japan House in London in May 2011, two months after the devastating Tohoku Earthquake and Tsunami in March of that year. Thinking about the close relationship between Japan and the UK that was there at Daiwa the evening of the book launch, Jeremy got together with Japan specialist and historian Suzanne Perrin to create the <em>Bridges</em> book as a series of interviews, to utilise the wealth of knowledge that people had about Japan in Britain.<br /><br />The aim of <em>Bridges</em> is to celebrate the work of a diverse range of people who have made a significant contribution to the understanding of Japan in the UK, and who continue to provide insights into cross-cultural relations that are so important in today’s globalised world.<br /><br />The contributors are all UK-based professionals and work in a wide range of areas including academic, diplomatic, creative media, business and humanitarian work. Their wealth of experience provides a deep insight into the development of Anglo-Japanese relations from the beginning of the Post War period to the present day. </span></span></div>
<div style="padding: 0px; text-align: justify;">
<span style="font-size: 14px;"><span style="font-family: georgia, serif;"><br /></span></span></div>
<div style="padding: 0px; text-align: justify;">
<span style="font-size: 14px;"><span style="font-family: georgia, serif;">For copies contact:</span></span></div>
<div style="padding: 0px; text-align: justify;">
<span style="font-size: 14px;"><span style="font-family: georgia, serif;"><br /></span></span></div>
<div style="padding: 0px; text-align: justify;">
<span style="font-family: Helvetica; font-size: small; orphans: 2; text-align: start; widows: 2;">Suzanne Perrin</span><br style="font-family: Helvetica; orphans: 2; text-align: start; widows: 2;" /><span style="font-family: Helvetica; font-size: small; orphans: 2; text-align: start; widows: 2;">Japan Interlink London</span><br style="font-family: Helvetica; orphans: 2; text-align: start; widows: 2;" /><span style="font-family: Helvetica; font-size: small; orphans: 2; text-align: start; widows: 2;">t/f: +44 20 8579 9404</span><br style="font-family: Helvetica; orphans: 2; text-align: start; widows: 2;" /><a href="http://www.japaninterlink.com/" style="font-family: Helvetica; orphans: 2; text-align: start; widows: 2;">www.japaninterlink.com</a><br style="font-family: Helvetica; orphans: 2; text-align: start; widows: 2;" /><a href="mailto:info@japaninterlink.com" style="font-family: Helvetica; orphans: 2; text-align: start; widows: 2;">info@japaninterlink.com</a></div>
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<br />Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-81727941207971317902016-04-15T13:14:00.001+01:002016-04-15T13:14:33.183+01:00The Scent of Mosses<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-LJbk20ZBR5k/VxDYbQoKqwI/AAAAAAAAErk/R3-fyxWXX-cQFmSMdaJtveuSxDtTj7kbgCLcB/s1600/_RWK3063.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-LJbk20ZBR5k/VxDYbQoKqwI/AAAAAAAAErk/R3-fyxWXX-cQFmSMdaJtveuSxDtTj7kbgCLcB/s320/_RWK3063.jpg" width="211" /></a></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">The
wandering stream<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Finding its
own way<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">From
mountain rain to sea –<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">The scent
of mosses.</span><o:p></o:p></span></div>
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<a href="https://4.bp.blogspot.com/-JPwfgSKnL4g/VxDaQSdHXNI/AAAAAAAAEsQ/GDPnwoeLkJgxaO1LiRuAqgZOaL5HKynrgCLcB/s1600/_RWK2800.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://4.bp.blogspot.com/-JPwfgSKnL4g/VxDaQSdHXNI/AAAAAAAAEsQ/GDPnwoeLkJgxaO1LiRuAqgZOaL5HKynrgCLcB/s320/_RWK2800.jpg" width="211" /></a></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Holding the
line<o:p></o:p></span></span></div>
<br />
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">As breath
flows<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Effortless
the beginning<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Pause<o:p></o:p></span></span></div>
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<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">So, the
unfolding into next.</span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-2a0hVDo0Fbc/VxDZRjNhwMI/AAAAAAAAErw/zxpH6DkE0xQrx-W6mgRvPhCz-CHD_x0wwCLcB/s1600/_RWK2964.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-2a0hVDo0Fbc/VxDZRjNhwMI/AAAAAAAAErw/zxpH6DkE0xQrx-W6mgRvPhCz-CHD_x0wwCLcB/s320/_RWK2964.jpg" width="211" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Rhythm of
the between<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Spring
sprung sprang,<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">In <i style="mso-bidi-font-style: normal;">this</i> unfolding is a return<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">To a place
of the heart.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">That’s all.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-XkZSn3H-CDQ/VxDZRuaiByI/AAAAAAAAEr0/w5PXpQeIWXM_5vooevbHQtqXRtoI_rhiQCLcB/s1600/_RWK2986.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-XkZSn3H-CDQ/VxDZRuaiByI/AAAAAAAAEr0/w5PXpQeIWXM_5vooevbHQtqXRtoI_rhiQCLcB/s320/_RWK2986.jpg" width="211" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Passing by
the same places<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">But now
with different mind-sight,<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Seeing not
just points of arrival<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">But the
spaces between,<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">This bridge
of dreams<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">A point of
transition.<o:p></o:p></span></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-yl7XxnsOHwc/VxDZS3ciZxI/AAAAAAAAEr8/_WCa30QwFTMuLoRrrCPvf2QBmu7bSpIGQCLcB/s1600/_RWK3119.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-yl7XxnsOHwc/VxDZS3ciZxI/AAAAAAAAEr8/_WCa30QwFTMuLoRrrCPvf2QBmu7bSpIGQCLcB/s320/_RWK3119.jpg" width="211" /></a><span style="font-family: 'Trebuchet MS', sans-serif;"> </span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">If I sit
quiet enough<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">The light
unfolds itself.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">No effort
required<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Grasping emptiness.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Stones hold
their stories</span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Enshrined stillness
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Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-74622996480154862602016-03-31T19:04:00.000+01:002016-04-01T05:59:23.564+01:00Correspondences between Chinese Landscape Painting and Japanese Gardens Part 4<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;">4. Layering Of Views <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span lang="EN-US">景の層化</span><span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="mso-spacerun: yes;"> </span></span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;"><i style="mso-bidi-font-style: normal;">kei no s</i></span><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: "Lucida Grande";">ōka</span></i></span></div>
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<o:p><span style="font-family: "trebuchet ms" , sans-serif;"></span></o:p></div>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-OypjKfwYv2w/Vv1hUpvAZHI/AAAAAAAAEq0/fGFKaECErBQb8Nql64kMJU64I-EOe46WA/s1600/_RWK2531%2B%25281%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://2.bp.blogspot.com/-OypjKfwYv2w/Vv1hUpvAZHI/AAAAAAAAEq0/fGFKaECErBQb8Nql64kMJU64I-EOe46WA/s320/_RWK2531%2B%25281%2529.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Landscape scenery, Devon, England.</td></tr>
</tbody></table>
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<span style="font-family: "trebuchet ms" , sans-serif;">The layering of a view is an important device used by
painters to indicate depth in a composition. In the garden context it is used
both for spatial purposes, but also to act as a means of defining a view from a
particular point. It will be noted that when one moves about a stroll garden in
Japan, there is a sense of views being opened and closed as the viewer traverses
through the garden. The sum of the garden is not taken in from one point, but
is a gradual accumulation of experiences gained by the viewer. This works in a
couple of different ways. Firstly a view can be composed of a distinct (yet
often subtly executed) arrangement of foreground- middle ground- background
sections. The garden at Tenryū-ji near Kyoto is constructed in this way.
Looking out from the <i style="mso-bidi-font-style: normal;">hōjō</i> (Main Hall)
the near shoreline disappears from view, but the rocky peninsula that juts into
the pond from the right side becomes prominent. As the eye lifts upward the far
shore line the section of the composition that defines the dry<span style="mso-spacerun: yes;"> </span>(<i style="mso-bidi-font-style: normal;">karesansui</i>)
waterfall comes into focus, forming the mid ground of the composition. Then as
the eye lifts again the line of hills beyond the garden form a seamless
backdrop (and frame) to the intimacy of the pond garden. <o:p></o:p></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-F2tk8hNTF3Y/Vv1ho_XIwwI/AAAAAAAAEq4/MqKS1xhKljozaYUZB4ycwJ0-fUi1RXL_Q/s1600/DSC_0282.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://1.bp.blogspot.com/-F2tk8hNTF3Y/Vv1ho_XIwwI/AAAAAAAAEq4/MqKS1xhKljozaYUZB4ycwJ0-fUi1RXL_Q/s320/DSC_0282.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: start;"><span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">Tenryū-ji, Arashiyama. 14th C.</span></span><span style="font-family: "trebuchet ms" , sans-serif; font-size: small; text-align: start;"> </span></td></tr>
</tbody></table>
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<span style="font-family: "trebuchet ms" , sans-serif;">A second way layering works in the garden setting is where the
focal point of the view is arrived at by the eye being encouraged to ‘travel’
(or guided perhaps) towards its goal. This can be seen in the tiny garden space
at Reiun-in (a sub temple within the Myoshin-ji complex, Kyoto). Here the focal
point of the view is the tall upright rock set in the background. Between the
rock and the viewer are layers of foliage that alternately frame the focal
point, but also create a visual pathway towards the focal point. We are shown
the ‘destination’ and also the path towards the destination is hinted at for
the viewer. To reach the goal we are encouraged to travel through the landscape
being represented. This accords with an important role of painting elucidated
and exploited by Chinese landscape painters, in that the landscapes depicted
are created to draw the viewer into an engagement with those landscapes. The
viewer becomes integrated with the landscape whether depicted as a painting or
a garden, thereby dissolving the separation between the two. Subject and object
are interwoven to the point of dissolution, ultimately there no longer exists
the duality of seer and seen, and so the ‘truth’ of the landscape is revealed
as an existential experience. As François Jullien so succinctly puts it: “It is
not in respect to <i style="mso-bidi-font-style: normal;">what</i> we pass
through or <i style="mso-bidi-font-style: normal;">what</i> we contemplate, but <i style="mso-bidi-font-style: normal;">where</i> we walk, <i style="mso-bidi-font-style: normal;">where</i> we live, that the world’s embrace of us is most complete,
hence its presence in us is most intense, and that the vital aspiration at the
source of the landscape, through our <i style="mso-bidi-font-style: normal;">connection</i>
to it is satisfied.”<span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12pt;"><a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title="">[1]</a></span></span><a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn1" name="_ftnref1" title=""><!--[endif]--></a></span></span><o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"></span></span></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"></span></span></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-kgKlafSCWoM/Vv1hUaa1SyI/AAAAAAAAEqw/PoRC4UsMxgAI7Srk0IfQdYe9ecF5oaHtQ/s1600/Keishun-in%2B07.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://4.bp.blogspot.com/-kgKlafSCWoM/Vv1hUaa1SyI/AAAAAAAAEqw/PoRC4UsMxgAI7Srk0IfQdYe9ecF5oaHtQ/s320/Keishun-in%2B07.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Reiun-in. Kyoto. 16th C.</td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-XKVZAhQY5x8/Vv1h_1CXScI/AAAAAAAAErA/3wTpgRp_G08FrjjVTUVezVoqgXGaD20sg/s1600/Ma_Yuan_-_Dancing_and_Singing-_Peasants_Returning_from_Work.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://1.bp.blogspot.com/-XKVZAhQY5x8/Vv1h_1CXScI/AAAAAAAAErA/3wTpgRp_G08FrjjVTUVezVoqgXGaD20sg/s320/Ma_Yuan_-_Dancing_and_Singing-_Peasants_Returning_from_Work.jpg" width="182" /></a>'</td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ma Yuan. 13th C<br />
'Dancing and Singing Peasants Returning from Work</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">In landscape paintings layering can often be depicted as veils
of cloud or mist that appear to separate sections of the painting. The
equivalent of the film editors’ dissolve from one scene to the next. Layering
in this way evokes depth in a two dimensional context, and in both paintings
and gardens it also has the role of introducing the principle of time. Layering
reveals process, the transformation of one space/time to the next, one moment
to the next, whist always holding to the recognition of the ultimate interconnectivity
of all things. The word <i style="mso-bidi-font-style: normal;">Ma</i> (<span lang="EN-US">間</span><span lang="EN-US" style="mso-ansi-language: EN-US;">) </span>is
used in Japanese to describe the interval (in space and time) between things, of
which there is no real equivalent in the English language. <i style="mso-bidi-font-style: normal;">Ma</i> is not empty or a void, but a point of transformation, and so it
is a point of potential at it most full, bursting as it were with a fullness
that can no longer be contained, so making transformation an inevitable
condition of continuation; the movement of <i style="mso-bidi-font-style: normal;">yin</i>
into <i style="mso-bidi-font-style: normal;">yang</i> and<i style="mso-bidi-font-style: normal;"> </i>into <i style="mso-bidi-font-style: normal;">yang </i>into <i style="mso-bidi-font-style: normal;">yin.</i> In the garden one way this device
is sustained by careful and finely considered regular maintenance of the
plantings. The pruning of plants involves the opening up of spaces between the
branch structure, separating the screen of leaves to create <i style="mso-bidi-font-style: normal;">ma</i>, which in turn provides definition of
form whilst also allowing the eye to move through the planting too. The opening
and closing of space in a rhythmical manner to provide a bridge to link the
interior and exterior, between mountain scenery (the external) with the
experience of landscape (the interior), between the mundane and the spiritual.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The concept of layering outlined above is very closely
related to the idea of ‘Hide and Reveal’ (<span lang="EN-US">見え隠</span><span lang="EN-US" style="mso-ansi-language: EN-US;"> </span><span lang="EN-US">れ</span><span lang="EN-US" style="mso-ansi-language: EN-US;">, </span><i style="mso-bidi-font-style: normal;">miegakure</i>), which will be the subject of
a separate post in the current series. I should point out once more that all
the correspondences between painting and garden creation are so closely interrelated
in a composition as to make the separation of ideas artificial in a sense. The
justification for doing so is to illuminate them (so to bring them into our
awareness as processes), in what is expressed through painting or garden in an
often very subtle manner. An interesting point is that these concepts are most
frequently applied in an unconscious way, they are simply part of the process
of creating a painting in the Chinese manner or in the creation of a garden in
the Japanese style. </span><o:p></o:p></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "cambria"; font-size: 12.0pt;">[1]</span></span><!--[endif]--></span></span></a> <span lang="EN-US" style="mso-ansi-language: EN-US;">‘The Great Image Has No Form or On
the Nonobject through Painting.,’ </span>François Jullien. University of
Chicago Press. 2009.<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-10004193953648131852016-03-29T17:12:00.002+01:002016-03-31T21:25:56.833+01:00Correspondences between Chinese Landscape Painting and Japanese Gardens Part 3<div class="MsoNormal">
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<span style="font-family: "trebuchet ms" , sans-serif;">3. Triadic Composition</span><o:p></o:p></div>
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<span lang="EN-US" style="font-family: "ms 明朝"; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">三角編成</span><span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="mso-spacerun: yes;"> </span></span></div>
<div style="text-align: center;">
<span style="font-size: x-small;"><i><span lang="EN-US" style="mso-ansi-language: EN-US;">sankaku
nensai</span><o:p></o:p></i></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">In both Chinese paintings and practically all of the
Japanese art forms triadic composition is the fundamental manner in which
elements are organised in space. Whilst at first glance paintings and gardens
may appear to be organised in a fairly random manner, a more considered view
shows that there is a coherent relationship between the principal features. The
triangular relationship is founded on scalene triangles, that is, a triangle
where all the angles are different. In gardens this is to be found principally
in the relationships between stones which form the ‘skeleton’ of the garden
layout. Following the practice of setting stones, a dominant or master stone is
set, and then subsequent stones are set according to triadic composition.<span style="mso-spacerun: yes;"> </span>In gardens stone arrangements are generally
grouped together by the numbers 3, 5, or 7, the numbers are themselves regarded
as being auspicious in their own right. Uneven numbers are seen as being
favourable for many reasons, particularly as they naturally lead toward an
asymmetrical organisation (see previous blog post on Asymmetry). Not only are
individual groups of stones organised in triadic arrangements, but groups of
stones are also relationally organised in this way too. Often the planting
which will accompany stone arrangements also follows a similar pattern of
organisation.</span><o:p></o:p></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-AZD1KVkp7CM/Vvqmz3ZAttI/AAAAAAAAEqg/Np9KJQv5x48CNXsoiyZm1lqkLqMi6pL8Q/s1600/_RWK0559.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://1.bp.blogspot.com/-AZD1KVkp7CM/Vvqmz3ZAttI/AAAAAAAAEqg/Np9KJQv5x48CNXsoiyZm1lqkLqMi6pL8Q/s320/_RWK0559.jpg" width="211" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Triadic composition. Zuiho-in, Kyoto</td></tr>
</tbody></table>
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<span style="font-family: "trebuchet ms" , sans-serif;">In triadic composition there are three distinct lines of
force, in the vertical, horizontal and diagonal planes. A strong vertical
emphasis is characteristic of both Chinese landscape painting as well as
Japanese gardens. In Japan the vertical line is sometimes referred to as
‘Heaven’, the horizontal as ‘Earth’, and the diagonal as ‘Man”, or <i style="mso-bidi-font-style: normal;">ten-chi-jin </i>(<span lang="EN-US" style="font-family: "ms 明朝"; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">天地人</span><span lang="EN-US" style="mso-ansi-language: EN-US;">, </span>this
symbolic classification is a foundational concept in <i style="mso-bidi-font-style: normal;">ikebana</i> or flower arrangement.). Each line of force carries its own
particular energy or emotional weight. The vertical is aspirational, uplifting
and creates a sense of spatial depth in the composition. The horizontal plane
grounds the composition, playing against the energetic thrust of upward
movement creating a sense of stability, even languor or calmness. The diagonal
line is a linking device that draws the two opposing planes into a dynamic
harmony without affecting their respective energetic flow. The diagonal line
facilitates balance by offsetting any feeling of opposition between the
vertical and horizontal. The three forces work together, distinct yet
interdependent on one another. </span><o:p></o:p></div>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-FLCmvhqpGGI/Vvqj2rEWU5I/AAAAAAAAEqM/Gz4OKP3NytMnFpY8aEGa8yBK0EVE1xLOA/s1600/Shubun_-_Reading_in_a_Bamboo_Grove_detail.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://1.bp.blogspot.com/-FLCmvhqpGGI/Vvqj2rEWU5I/AAAAAAAAEqM/Gz4OKP3NytMnFpY8aEGa8yBK0EVE1xLOA/s320/Shubun_-_Reading_in_a_Bamboo_Grove_detail.jpg" width="249" /></a></td></tr>
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</o:p><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small; text-align: start;">Tenshō Shūbun</span>. Reading in a Bamboo Grove (ca. 1446)<span style="font-size: x-small;"> </span>.</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">In a painting the three forces help to define spatial depth
on what is a two-dimensional surface creating the illusion of depth as well as
providing connectivity between the carious elements, In a garden the triadic
arrangement creates a profound harmony in which the viewer can become an aspect
of the composition itself. Gardens being three-dimensional works allow an
easier facilitation for the viewer to become a part of the composition, as
depth is measurable and not simply a notional/intellectual construct. This
comes clearer when one has the opportunity to experience landscape scenery in
Japan or China. Much of Japanese landscape is composed of steep sided hills or
mountains, sometimes rising directly from flat plains or broad valley bottoms.
Likewise areas such as the Huangshan mountains or the landscapes of Guangxi
province in China which were so inspirational to painters have landscapes that
exhibit strong visual associations with the three forces discussed above. What
both the painters of China and the garden creators of Japan were attempting to
achieve was to represent what they felt was the essence of landscape, by
recreating that essence they could draw the viewer into a deeper, more
intimate, relationship with the emotional and spiritual qualities of landscape
itself. It is a way of reaffirming our place in the universe, being born of
landscape as part of landscape. Both the paintings and gardens remind us we are
interdependent with landscape, not its master.</span><o:p></o:p></div>
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-_U-g_m92ahs/VvqlVSm2fnI/AAAAAAAAEqY/yRhSnpP-oFk_Kbxw-I0t2XGIm6y79_6vA/s1600/_RWK1478.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://4.bp.blogspot.com/-_U-g_m92ahs/VvqlVSm2fnI/AAAAAAAAEqY/yRhSnpP-oFk_Kbxw-I0t2XGIm6y79_6vA/s320/_RWK1478.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Landscape scenery, Miyagi Prefecture, japan</td></tr>
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-MFYkHUJbJ8E/VvqlJaJoQkI/AAAAAAAAEqU/l_tmisGNX7AGeF4JbTVQeOXcHQwEMBP5Q/s1600/Huangshan_0097.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="212" src="https://4.bp.blogspot.com/-MFYkHUJbJ8E/VvqlJaJoQkI/AAAAAAAAEqU/l_tmisGNX7AGeF4JbTVQeOXcHQwEMBP5Q/s320/Huangshan_0097.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Huangshan Mts. Anhui province China</td></tr>
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<span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif; mso-ansi-language: EN-US;">"If
there are a thousand cliffs and myriad valleys, they must be low and high,
clustered and scattered, and not identical. Multiple ranges and layered peaks
must rise and fall, lofty and high, and yet each different.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif; mso-ansi-language: EN-US;">If not
confused in one way or another, you may spontaneously play whist lost in absorption."<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "trebuchet ms" , sans-serif;">Attributed
to Li Cheng (d.967)</span><a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "cambria"; font-size: 12.0pt;">[1]</span></span><!--[endif]--></span></span></a></span><o:p></o:p></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "cambria"; font-size: 12.0pt;">[1]</span></span><!--[endif]--></span></span></a> ‘<span lang="EN-US" style="mso-ansi-language: EN-US;">Early Chinese Texts on Painting’.
Susan Bush and Hsio-yen Shih. Hongkong University Press. 2012<o:p></o:p></span></div>
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Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-28494561052016843472016-03-27T21:52:00.003+01:002016-03-31T21:25:41.211+01:00Correspondences between Chinese Landscape Painting and Japanese Gardens part 2<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "trebuchet ms" , sans-serif;">2. Asymmetry </span><br />
<span lang="EN-US"><span style="font-family: "times" , "times new roman" , serif;">不均斉</span></span> <o:p></o:p><br />
<span lang="EN-US"><span style="font-family: "times" , "times new roman" , serif;"><i>fukinsei</i></span></span></div>
<div class="MsoNormal">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-rD2qGZA-iz0/VvhEqRMa3oI/AAAAAAAAEpg/wJN8uqoiAwMQWT1f1hi2PalWzvV8Idpxw/s1600/Xia_Gui_-_Untitled_Album_Leaf.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="282" src="https://1.bp.blogspot.com/-rD2qGZA-iz0/VvhEqRMa3oI/AAAAAAAAEpg/wJN8uqoiAwMQWT1f1hi2PalWzvV8Idpxw/s320/Xia_Gui_-_Untitled_Album_Leaf.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Xia Gui (1195-1224). Untitled album leaf.</td></tr>
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<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Both Chinese landscape painting and Japanese gardens avoid
symmetrical organisation in a composition, it is one of the major differences
between the approach to representation between Western and East Asian art. Symmetry
in Asian art is seen as evoking a balance of elements in which there is no
possibility of flow or movement of <i style="mso-bidi-font-style: normal;">ch’i, </i><span lang="EN-US">気</span> (<i style="mso-bidi-font-style: normal;">ki</i>
in Japanese). <i style="mso-bidi-font-style: normal;">Ch’i</i> in this sense
refers to vital energy as an essence of all life, a primordial force that
powers the universe, it is generated by the interaction of the opposing, yet
mutually dependent, qualities of <i style="mso-bidi-font-style: normal;">yin </i><span lang="EN-US">陰</span> and <i style="mso-bidi-font-style: normal;">yang </i><span lang="EN-US">陽</span><span lang="EN-US" style="mso-ansi-language: EN-US;"> (Jp.<i style="mso-bidi-font-style: normal;"> in</i>/<i style="mso-bidi-font-style: normal;">yo</i>). In Eastern thought because the one contains the seed of the
other, <i style="mso-bidi-font-style: normal;">yin</i> is constantly moving
towards <i style="mso-bidi-font-style: normal;">yang;</i> the one gives birth to
the other in a constant state of transformation. The duality is only apparent,
as the two qualities are in fact indivisible from each other. Hence the notion
of a stable balance of two forces leads in the Eastern view to a state of
stagnation, or a moribund state that is essentially ‘lifeless’.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><span style="font-family: "trebuchet ms" , sans-serif;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-rHZgk1dDyuM/VvhEP7TymEI/AAAAAAAAEpY/yWh4u-eetGYfE1QTuNBYW5Y8alosYjAUA/s1600/Manshu-in%2B-%2B11.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="174" src="https://3.bp.blogspot.com/-rHZgk1dDyuM/VvhEP7TymEI/AAAAAAAAEpY/yWh4u-eetGYfE1QTuNBYW5Y8alosYjAUA/s320/Manshu-in%2B-%2B11.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Screen painting. Manchu-in, Kyoto</td></tr>
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</span></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "trebuchet ms" , sans-serif;">It takes
just a cursory glance at a Chinese landscape painting to grasp that the organisation of a composition is asymmetrical, and likewise a glimpse of a
Japanese garden shows that here too there is no concern to construct a
composition using symmetry. The Japanese garden is an attempt to present Nature
as an essence, and if one looks at natural scenery it is also immediately
obvious that symmetry is not directly expressed in Nature.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><span style="font-family: "trebuchet ms" , sans-serif;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-3crJfClZfA8/VvhDo4kNcxI/AAAAAAAAEpQ/etNdQyZj34EczMCOr-zAeC7jzsRmujSWg/s1600/Daigo%2BSambo-in_0012.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="212" src="https://2.bp.blogspot.com/-3crJfClZfA8/VvhDo4kNcxI/AAAAAAAAEpQ/etNdQyZj34EczMCOr-zAeC7jzsRmujSWg/s320/Daigo%2BSambo-in_0012.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Daigo Sambo-in, 16th C garden. Fushimi, Kyoto</td></tr>
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<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Asymmetry is not the same as a random assemblage of
elements, in both Chinese painting and the Japanese garden there is order,
carefully contrived yet to a certain extent hidden from view. It is quite
common in the practice of creating a garden in Japan for the garden creator to
strive to ‘hid the hand of man’. That is to cloak the composition in a veneer
of<span style="mso-spacerun: yes;"> </span>‘naturalness’, whist yet remaining
very much a work of man’s hand. The garden just as much as is a painting, is a
work conceived and executed by an artist. His or her experience of Nature is
filtered through their creative sensibility so finding individual expression
through the medium of a traditional cultural form.<o:p></o:p></span></div>
<div class="MsoNormal">
<o:p><span style="font-family: "trebuchet ms" , sans-serif;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-YBg7aEXu-FQ/VvhHERbiArI/AAAAAAAAEpw/X07MhPt_kFgYfKF1TlzgwheUSGJPbf83Q/s1600/_RWK2086.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://4.bp.blogspot.com/-YBg7aEXu-FQ/VvhHERbiArI/AAAAAAAAEpw/X07MhPt_kFgYfKF1TlzgwheUSGJPbf83Q/s320/_RWK2086.jpg" width="211" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shukkei-en garden. Tokyo.</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">Asymmetry allows a greater degree of involvement by the
viewer as the sight lines and perspectival framework is not rigidly imposed.
The eye of the viewer has a freedom to move as it wishes, finding areas of
interest as it travels around the scenery being presented. In a Chinese
painting it is an immersive journey that the viewer makes in allowing his eyes
to travel about the picture plane. This is also true in the garden context,
where the viewer will deconstruct the garden before him, and then reconstruct
the garden as an interiorised experience. Symmetry and the Western sense of
perspective tend to exclude the viewer, setting the viewer outside of the
composition as someone who looks in from the ‘outside’. The contrary is true in
a landscape painting or Japanese garden where the viewer is central to the
whole process of perception and recognition. In both paintings and gardens the
intention is to take the viewer beyond the apparent reality of the scene being
presented in front of him. To search for and find an essence that draws the
viewer and viewed into a harmonious entity, where there is no longer a duality
of perception. In this sense the painting or garden creates the viewer, as much
as the viewer creates the painting or garden.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">“One should not take outward beauty for reality. He who does
not understand this mystery will not obtain the truth.”<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Ching Hao, Sung dynasty painter 10th C <o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-CVzzPXxvb0I/VvhDEdxvpdI/AAAAAAAAEpM/JVxoFVPKyJcxv7VMJiOm0Bd5ycCzL9DBQ/s1600/DSC_0160.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://4.bp.blogspot.com/-CVzzPXxvb0I/VvhDEdxvpdI/AAAAAAAAEpM/JVxoFVPKyJcxv7VMJiOm0Bd5ycCzL9DBQ/s320/DSC_0160.jpg" width="212" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Huangshan mountains, Anhui province, China</td></tr>
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</span></o:p></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">In further blog posts in this series I will be looking at
triadic composition and the techniques of perspective used by the painters, and
find correspondences in the Japanese garden tradition.</span></div>
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Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-48192435090308922932016-03-27T21:02:00.001+01:002016-03-31T21:25:21.181+01:00Correspondences between Chinese Landscape Painting and Japanese Gardens part 1.<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">I have looked at the relationship between Chinese landscape painting and Japanese gardens before in this blog (see the series of blogs 'On Chinese Painting and Japanese Gardens' from October 2013 on), as it seems to me that Chinese painting have been an important source of inspiration to garden creators in Japan. In this series of blogs I shall write about ten different correspondences between paintings and gardens. That is, ten aspects of composition that are shared between the two art forms. Chinese paintings were imported into Japan in great number from a relatively early period, and it seems evident that the people who created gardens in Japan were aware of the paintings. Some of the garden creators were painters in their own right, such as Sesshu <span lang="EN-US">T</span>ōyō and Kano Motonobu, and there will have been others. Writings by Chinese painters would have also reached Japan, and were presumably studied there too.There is an extensive body of writing and art criticism by Chinese literati which one imagines would have also been studied intensely in Japan. For example Hseih Ho's 'Six Principles of Painting' were known of in Japan, where they were known of as the 'Six Laws (<i><span lang="EN-US"><span style="font-size: small;">roppô, </span></span></i><span lang="EN-US" style="font-size: 12pt;">六法)</span><span lang="EN-US" style="font-size: 12pt;"> see also my blog post </span>'On Chinese Painting and Japanese Gardens' part 2.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The proposed correspondences in this series are not written of in order of importance, nor are they intended to be comprehensive. They are a selection of concepts or principles which may be found in both art forms, they arise in Chinese landscape paintings and which I believe helped shaped garden creation in Japan. Nor really should they be taken as being separate ideas, in truth they are all interlinked and even to some extent overlap in practice. To separate out ten correspondences is granted an artificial approach if taken as independently existing principles within the garden tradition. I have written on each as a way of identifying and illustrating them as aspects of the greater tradition of garden creation in Japan.</span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">shukyaku</span><o:p></o:p></i></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">“In a landscape painting there must be a ‘host and guest in
mountains, to and fro in water, tortuousness in hills, up and down in a
mountain range…” Ching Hao (ca. 870 -930)<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12pt;">[1]</span></span><!--[endif]--></span></span></a>.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">“The ‘host‘ peak as is most fitting is lofty and tall; the
‘guest' mountains should hasten toward it.” Wang Wei (701-761)</span><a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12pt;"><span style="font-family: "trebuchet ms" , sans-serif;">[2]</span></span></span><!--[endif]--></span></span></a> <o:p></o:p></div>
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<o:p> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-Ql1qrUJvU6s/Vvf8LTMq4_I/AAAAAAAAEos/M96UO2Ln2WwP2jb6nBm3xaKxMmVCqvi_g/s1600/Ma_Yuan_-_Dancing_and_Singing-_Peasants_Returning_from_Work.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://1.bp.blogspot.com/-Ql1qrUJvU6s/Vvf8LTMq4_I/AAAAAAAAEos/M96UO2Ln2WwP2jb6nBm3xaKxMmVCqvi_g/s320/Ma_Yuan_-_Dancing_and_Singing-_Peasants_Returning_from_Work.jpg" width="182" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Landscape by Ma Yuan (ca. 1190-1225)</td></tr>
</tbody></table>
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<span style="font-family: "trebuchet ms" , sans-serif;">This term which is derived from the language of Chinese painters
and illustrates their conception of a reciprocal relationship between elements
of the painting’s composition. Pertaining to an organisation of the principal
elements of the composition the term also implies an underlying order of
dominance or importance of status in terms of the connectivity or
interdependence between elements.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Usually in a composition (in the garden) there is one
element, almost invariably an upright stone, that has a particular importance
as acting as a ‘hub’ for the composition. It has been various called the ‘Main’,
‘Dominant’, ‘Master’ or ‘Host’ stone, <span lang="EN-US">主石</span><span lang="EN-US" style="mso-ansi-language: EN-US;">.</span> It is a stone to which
other pieces are arranged in relation to and acts as a central hub to the
particular grouping. The ‘Host and Guest’ relationship is widely found in
landscape painting too, where the Host is normally the tallest, most prominent
feature depicted in a painting, usually a mountain. The Host element is rarely
situated in the centre of the composition, but will always take a prominent
position, either to one side or the other or above or below the centre
depending on the composition. </span><o:p></o:p></div>
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<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-fB7i4VdpvKo/Vvf7Bq-WHlI/AAAAAAAAEok/3ejZZlqN5RYBNptzSVZ0D_FQGDdCmMa6g/s1600/Taizo-in%2B5.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://2.bp.blogspot.com/-fB7i4VdpvKo/Vvf7Bq-WHlI/AAAAAAAAEok/3ejZZlqN5RYBNptzSVZ0D_FQGDdCmMa6g/s320/Taizo-in%2B5.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">A Host stone can be seen at the top of the stream, all the other stones in the composition relate back to this piece.<br />
Taizo-in, Kyoto</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">This placement of a dominant element draws the eye, either
consciously or unconsciously toward it, and from that point the eye can move
freely around the composition, in what becomes an immersive experience. In this
way a subtle sense of structure or order is also thus established. This gives a
sense of connectivity that will bind the group into a cohesive unit. This can
also be seen in painting as a way of organising the principal elements
(mountains) of the composition in order to create the impression of spatial
depth on a two dimensional surface. In the garden it also works to create depth
and also enables the garden creator to manipulate scale<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">In the <i style="mso-bidi-font-style: normal;">Sakuteiki</i><span style="mso-spacerun: yes;"> </span>(‘Record of Garden Making’) the 11<sup>th</sup>
C garden manual this idea is noted as follows: “Choose a particularly splendid
stone and set it as the Main Stone (<i style="mso-bidi-font-style: normal;">omo
ishi). </i>Then, following the request of the first stone set the others
accordingly”<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftn3" name="_ftnref3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12pt;">[3]</span></span><!--[endif]--></span></span></a>. An
important element of the citation from the <i style="mso-bidi-font-style: normal;">Sakuteiki</i>
is contained in the term ‘following the request’, this establishes the
centrality of the “Main’ or ‘Host ‘ stone., as what is implied is that the
stones subsequently set are in a subordinate or supporting position to the
‘Main’ stone. This is the way that arrangements of stones are created in the
garden, a stone of central importance is set up and then following that
additional stones are placed in relation to the main stone. Depending on the
size and complexity of the garden project this process is repeated over and
over. Furthermore, even between groups of stone some relational values are
always maintained, thereby linking all arrangements into an overall coherence.
The planting that follows on after the stone arrangements are completed will
also take their positions from enhancing and developing the sense of order or
unity within the whole. What comes to the viewer experiencing the garden or
scene is one expressing an internal harmony, where everything ‘belongs’ in its
place and all elements of the garden support and enhance one other. The viewer
is not outside of this process or organisation, but is an integral element to
the whole composition. By this means a sense of harmony comes into the viewer
experiencing the garden scenery.<o:p></o:p></span></div>
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<o:p><span style="font-family: "trebuchet ms" , sans-serif;"> </span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-P0xvwOQH0no/Vvgzh85j0MI/AAAAAAAAEo8/34wgFAEE0l4vYnJ86457TvqmyhEER5bUg/s1600/_RWK2187.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://3.bp.blogspot.com/-P0xvwOQH0no/Vvgzh85j0MI/AAAAAAAAEo8/34wgFAEE0l4vYnJ86457TvqmyhEER5bUg/s320/_RWK2187.jpg" width="211" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Stone arrangements are nearly always built up around the Host and Guest principle.<br />
Apache Museum, Shimane Prefecture.</td></tr>
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</o:p></div>
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The relationship between Host and Guest can also be read as
social comment on the structure of Japanese society during the Heian period
(794-1185) and throughout the pre-modern feudal eras. During this long period
society in general was strongly stratified into classes, an adherence to class
was an important means of defining and ordering society.<span style="mso-spacerun: yes;"> </span>Confucianism was the prevailing moral code in
China and this carried over to Japan too. Confucius (551-479 BC) as a teacher,
philosopher, teacher and politician argued that social cohesion was achieved through
familial loyalty, respect for ancestors, and the family unit as a basis for
good government. In the Analects of Confucius, a collection of aphorisms complied
some time after his death it is recorded:<o:p></o:p></div>
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<br /></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">“Chi K'ang
asked how to cause the people to reverence their ruler,<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">to be
faithful to him, and to go on to nerve themselves to virtue.<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">The Master
said, "Let him preside over them with gravity, then they<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">will
reverence him.<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Let him be
final and kind to all, then they will<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">be faithful
to him.<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Let him
advance the good and teach the incompetent, then<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">they will
eagerly seek to be virtuous."<o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "cambria"; font-size: 12.0pt;">[1]</span></span><!--[endif]--></span></span></a> <i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">Shanshui Jieyao (‘Outline of Lansdcape painting’)<o:p></o:p></span></i></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "cambria"; font-size: 12.0pt;">[2]</span></span><!--[endif]--></span></span></a> <i style="mso-bidi-font-style: normal;">Hua-hs</i><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-fareast-language: JA;">eh pi ch</span>üeh<span style="mso-spacerun: yes;"> </span>(‘Secrets of the Study of Painting’)</i></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6594346459124983717#_ftnref3" name="_ftn3" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "cambria"; font-size: 12.0pt;">[3]</span></span></span></a> <span lang="EN-US">Sakuteiki. Takei and Keane. Tuttle.
2001</span></div>
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<br /></div>
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Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-24022667569430525302016-01-09T19:48:00.000+00:002016-01-10T23:46:49.195+00:00On The Death Of A Cat Called Lou Lou<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-iXmauRPonSk/VpFhuwu3PaI/AAAAAAAAEnw/XGbSxkCHPdM/s1600/Morning%2BLight.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-iXmauRPonSk/VpFhuwu3PaI/AAAAAAAAEnw/XGbSxkCHPdM/s320/Morning%2BLight.jpg" width="129" /></a></div>
<br />
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">We had the choice,<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">To hold you in this world<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">Your tiny frail frame <o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">Racked by illness<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">Or let you go, on your Way.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">Now the river runs high<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">As rain mingles with tears.</span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-7K6TqC0txU8/VpFin01S95I/AAAAAAAAEoA/b93Y4urRUWU/s1600/_DSC3134.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-7K6TqC0txU8/VpFin01S95I/AAAAAAAAEoA/b93Y4urRUWU/s320/_DSC3134.jpg" width="211" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Into the
earth<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Laid gentle
<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">On a bed of
fern leaves,<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">That which
remained of you<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">After the
spirit flown.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Your
capstone<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">A blanket
of red earth<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Ready to
receive this gift.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: 'Trebuchet MS', sans-serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-GLnqqZ-VnJk/VpFhGmPovnI/AAAAAAAAEno/QDrpjOapxnQ/s1600/water%2B4352.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="http://4.bp.blogspot.com/-GLnqqZ-VnJk/VpFhGmPovnI/AAAAAAAAEno/QDrpjOapxnQ/s320/water%2B4352.jpg" width="320" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">In breath,
out breath<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">The space
between<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Neither Being
nor Non-Being.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">At last
something solid!<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-UoiWxPLqeWg/VpFgpCRnoRI/AAAAAAAAEnY/wjlxFy5X4Z4/s1600/Bollin%2Bseries%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="214" src="http://4.bp.blogspot.com/-UoiWxPLqeWg/VpFgpCRnoRI/AAAAAAAAEnY/wjlxFy5X4Z4/s320/Bollin%2Bseries%2B1.jpg" width="320" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">The tangle
of sorrows and joys<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Of this
world<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Born of our
own eyes –<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">And above
it all pinpricks of light</span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: 'Trebuchet MS', sans-serif;">Birth &
death from millions of years ago.</span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-IwBLW59y9tI/VpFh71R13RI/AAAAAAAAEn4/TJbp-OlVPqk/s1600/Storm%2BMountain%2Bcopy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-IwBLW59y9tI/VpFh71R13RI/AAAAAAAAEn4/TJbp-OlVPqk/s320/Storm%2BMountain%2Bcopy.jpg" width="129" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">Tonight the rain<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">Will soak into your grave.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">Spirit flown -<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: 'Trebuchet MS', sans-serif;">The bed by the fire empty.</span></span></div>
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Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0tag:blogger.com,1999:blog-6594346459124983717.post-3868121864685050002015-12-30T22:48:00.002+00:002015-12-30T22:49:18.024+00:00Still It Rains On<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-eLsJZp_C_s4/VoQrbOAzi2I/AAAAAAAAEmY/Iu5pCsh4z7w/s1600/_RWK7737.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/-eLsJZp_C_s4/VoQrbOAzi2I/AAAAAAAAEmY/Iu5pCsh4z7w/s320/_RWK7737.jpg" width="212" /></a></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Still it
rains on,<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Buckling
river rises -<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Tonight the
owls are silent.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><span style="font-family: Trebuchet MS, sans-serif;"><a href="http://2.bp.blogspot.com/-pyD9-Ri8rOA/VoQrcc_O4yI/AAAAAAAAEms/14oxiu6sFcY/s1600/_DSC0403.jpg" imageanchor="1"><img border="0" height="320" src="http://2.bp.blogspot.com/-pyD9-Ri8rOA/VoQrcc_O4yI/AAAAAAAAEms/14oxiu6sFcY/s320/_DSC0403.jpg" width="212" /></a> </span></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Memory<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Saturated
earth cannot hold more.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Breath<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">At the
tipping point, both this and that.<o:p></o:p></span></span></div>
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<a href="http://3.bp.blogspot.com/-aq_uxAe0-L4/VoQrb3tpY4I/AAAAAAAAEmg/Pz_pZEv2FGA/s1600/_RWK7216.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="212" src="http://3.bp.blogspot.com/-aq_uxAe0-L4/VoQrb3tpY4I/AAAAAAAAEmg/Pz_pZEv2FGA/s320/_RWK7216.jpg" width="320" /></a></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Swollen
clay</span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Slick to
the hands <o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Now raising
a cup formed by process<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Born of
transference<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">A voice
formed.</span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-6DYNraOYZvA/VoQrAtOaVlI/AAAAAAAAEmI/KOE9mNPEkF0/s1600/shadows_0125.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="http://3.bp.blogspot.com/-6DYNraOYZvA/VoQrAtOaVlI/AAAAAAAAEmI/KOE9mNPEkF0/s320/shadows_0125.jpg" width="320" /></a></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Forming a
beat<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">A pulse of
emptied intervals –<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Crossing
the meniscus between worlds.</span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-cv09JOpfRPE/VoRcDQCd-6I/AAAAAAAAEnA/4xnCuZ8IHsM/s1600/_RWK2413.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-cv09JOpfRPE/VoRcDQCd-6I/AAAAAAAAEnA/4xnCuZ8IHsM/s320/_RWK2413.jpg" width="212" /></a></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">So, you
come to find source;<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Touch the
base, <o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">the fine
hem, <o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">the original
face.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Yet, time
rolls within itself<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: Trebuchet MS, sans-serif;">Fractal light
implosion <o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">the falling
veil,</span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: 'Trebuchet MS', sans-serif;">the breath
of vision.</span></div>
Robert Ketchellhttp://www.blogger.com/profile/01614079874785764060noreply@blogger.com0